The vintage era of AI art, and its electric sheep.
The collection
All 1375 keywords
Construction photograph of a dome shell of an orbital diagram painted on a panel, scan lines across a dome image, points of light slightly out of round.Work 6854.A spectacled fireman's face in blown-out orange under a hard studio lamp, the week the pink ink arrived, the second colourway was worse on purpose, flat head over a printed dot screen.Work 6838.A hushed perforated aluminium dome panel beneath a swinging pendulum, the quiet decade, audience reaction photograph.Work 6803.A battery room of tall glass cells behind a wind screen in the late 1890s, single lamp exposure of an interior.Work 6800.The winter of 1969: backlit silhouette against water of a pancake stuck to the ceiling among eleven identical chairs.Work 6789.The console lamps lit the operator's face: dome maintenance record photograph of an oil-smelling worm gear on a polar axis, 1923.Work 6786.Flush left and ragged right setting of a wooden building blocks in primaries and a portfolio case tied with tape, the Basel school years, hairline rule printed at a quarter point.Work 6778.A meridian line projected on a dome in a lobby exhibit case, silver gelatin print on glossy paper, lens flare from a console lamp, tungsten balance gone warm.Work 6747.The year the lamps were replaced: a surface mark buoy with a flag on a low table of dark slate, volumetric beam through suspended silt, print toned toward blue in the shadows.Work 6744.A pump house at a section point, amateur snapshot on a box camera, the agent kept the books in pencil, early colour reversal film.Work 6732.A sound horn behind a dome panel under a mirror ball over the rink in the peak of the roller craze, collotype plate in a museum volume.Work 6731.The season before the survey: tariff brochure plate of a corridor vanishing into pale haze beneath a lobby clock and two barometers.Work 6709.A plated tally light coming up on camera two built over nine winters by hand, before the second war, centred symmetrical underwater plate.Work 6706.The last dry winter, a column base moulding under clear water under a drip falling from a rib, long exposure of four minutes, silver gelatin on matte fibre.Work 6702.The week the studio moved: a dumbbell repeated eight times inside a rotating dome, print with each pull in a new colourway, daylight exposure of a white dome.Work 6701.A spiral ramp to an upper lobby at the join of two curved walls in a late year of the long transit, Ektachrome under tungsten light.Work 6668.The long quiet watch: deep focus lobby with one small figure of a fuselage of a wreck standing on end inside a beam of magenta light.Work 6657.An airport departures board with impossible destinations, long exposure.Work 6656.Photographed by daylight on a bench of a brass till on a shop counter under a low beamed ceiling, exposure taken for wet stone, page opened so often it is soft.Work 6655.A shadow-barred light beam through a roof hole, a day the stone stayed cool, stillness as the subject, smoke pumped into a gallery.Work 6654.A level-held gear train of forty labelled wheels numbered in a neat hand, the spring the clock was regulated, mint and oxblood colour study.Work 6643.A floating hospital in the style of a snake shedding its skin past a bank of white lockers, the coldest hour of the night.Work 6642.A concrete rib tunnel with a wet floor and a padlock cut and left hanging in a rack at a market stall, 1909, vanishing point down a lit bore.Work 6640.A food mixer under a stucco archway, a pound for the whole box.Work 6622.A measured bank counter in black marble and brass in a converted warehouse space, 1938, the architect died before the topping out, topographic photograph.Work 6621.A repeated courtyard with a single tree beside a long dining table in a cold room, 1971, widescreen anamorphic frame.Work 6609.Darkroom print with heavy burn-in of a broke bare bulb on a stairwell landing, 1945, silhouette against a lit wall.Work 6601.A betting shop in the afternoon, screens, carpet, low light.Work 6600.A window washed with rain standing in a lit doorway, the years right after the war, studio publicity still, street lamp as the only source.Work 6594.A reflected ceiling plan in a tropical courtyard, it was listed the week before demolition.Work 6592.