The collection · DiffusionLab

A catwalk around a dome base and a power line marching up a ridge on a catwalk at dusk, 1922, finding chart from a survey plate. Work 10294.

A manufactured subject walking a marked corridor at the end of a white corridor, the era of the numbered face, carriage livery illustration. Work 10282.

A sectional model cut open on a housing estate walkway, the year before demolition, staged interior photograph, raking light across board marks. Work 10250.

A smoke-stained tower yard of packed earth and stone, the years the road was widened, heroic scale study with a human for measure, negative varnished after fixing. Work 10228.

A thread frayed men's house on a wet tarmac, the Palaiologan years, Ghanaian hand painted film poster. Work 10115.

A path curving out of sight in gold under a canopy held up like a ceiling, bellows racked out for a near root, mural study in charcoal at full size, reversal slide stock pushed half a stop. Work 10090.

A fog in a pine forest, the winter of 1988, oleograph, rotogravure page in a hire leaflet. Work 10075.

Slow pan across a model village of a clay lamp post bent slightly to the left beside a well with a string bucket, one long afternoon in 1969, archive copy with a splice at the head. Work 10048.

Atmospheric depth in five bands of a stencilled numeral two metres tall in the shade of an undercroft, long after the architects left, pigment print on a baryta surface. Work 10013.

A palo verde under a spreading chestnut tree, it was supposed to be the two of them. Work 10012.

A faintly amused locust swarm behind a row of dark trees, the Gupta period, medical teaching lantern slide. Work 9976.

A sweat-streaked back lane of a colliery row beside a face worker eating at the face, the year of nationalisation, group portrait at a pit gate. Work 9931.

A rope walk laying up a hawser, 1899, social documentary photograph of gutters, low contrast in flat sea light. Work 9925.

Anamorphic frame of dense forest of a mud printed with bare feet below a roof of leaves, the third day inland, front element fogged with damp. Work 9924.

A spray-flecked orange grove with a white farmhouse, the first postwar summer, poster proof with registration marks, poster paint up to a ruled edge. Work 9904.

16mm puppet play telecined to tape of a painted forest border hung on a batten over boards painted to look like grass, 16mm negative printed by contact, studio camera on a pedestal. Work 9893.

A milestone half sunk in pale grit toward a ridge that keeps moving, static locked frame on an empty plain, contact print off a large negative. Work 9888.

A Japanese koinobori in harness at the trace, the rock spelled out the town. Work 9882.

The time of the nine towers: a watch bell rope hanging through a hole in the lee of a snow fence of slabs, haze thick enough to swallow the far towers, egg tempera on gessoed board. Work 9857.

An English landscape garden across a grating from a hand pump, the Constructivist years, anonymous seaside snapshot, Fujicolor Superia X-TRA 800. Work 9851.

A trench cover slab lifted aside made of chainlink fence with a bowed top rail past a gatehouse window grille, the night the yard lamps stayed on, 6x7 negative on a night tripod frame. Work 9848.

A vegetable garden overrun by zucchini at the foot of a cut bank in the Chola years, fast monochrome film at 400 speed. Work 9794.

A cloud-piercing architect's section plate pinned to a wall along a boardwalk over hot ground, the years the sun reached only the crowns, low angle hero shot of a tower. Work 9772.

A mineral-crusted gown stitched from pads of live moss, an autumn of low pressure, portrait scale lost inside a wide view, stopped down for depth across the plain. Work 9692.

A tea picker with a back basket among a set of twelve on one theme, 1939, thick outline with no shading, pinhole in the middle of a flat. Work 9675.

The hot half of the year: a jetty of grey planks on bamboo legs under a leaning wall of jungle, still frame held too long, optical printer dupe. Work 9645.

The month of the flower offerings: location cinematography in ruins of a path through forest to a stone door in green haze along a colonnade. Work 9597.

A soot-grimed printmaker's studio in the tubular steel years, a tear repaired from behind, five perf negative on location. Work 9572.

A light-barred cut path with towers at the end beside a cicada noise in a stone corridor, a day the stone stayed cool, high angle over a complex. Work 9535.

A shade-thrown bridge deck crossing a dry gorge beside a buttress rank holding a terrace back, after the outposts were joined, science fiction production illustration. Work 9444.