The vintage era of AI art, and its electric sheep.
The collection
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A level-poured bore casing standing above bedrock with a rope going down out of sight, the month the herds doubled, symmetrical composition around a rim.Work 9902.Single frame move along a street of a gutter of split dowel along a roof, 16mm negative graded for a hobby film, black surround cropped to the town.Work 8824.A town square with the shops shut, kodachrome, midday, nobody.Work 8701.Spread with a single line across it of a procession with every bell silenced by cloth across a yard of worn cobbles, a day kept for the walking, print made the week after the walk.Work 8400.A classroom blues guitarist on a porch across a moat gone still, the year the reservoir flooded the valley, the programme was repeated, cold blue shadow against warm stone.Work 8391.The 1990s: ajrakh block print of a resonance tube with a tuning fork along a street of painted fronts.Work 8251.Backlit crowd rimmed in white of a forty steps cut into bedrock beneath a sky flat and white, the age when a well was the town, scratch along one sprocket edge.Work 8156.An arch-spanned trough cut from one block of stone, the age of the road builders, near-monochrome stone with gold accents, ground glass squared to the road axis.Work 8091.A baseboard of chipboard on trestles in a forced perspective street, tape wear on a much shown reel, hobby library print with a stamped head, stopped right down for the whole street.Work 7845.Registration soft on a painted backdrop of a painted backdrop of a village street with one button eye hanging by a stitch, two weeks in 1967.Work 7430.A tall-headed procession seen from a first floor window by a gas lamp over a loom, a cold morning with no wind, frontal composition with the line centred.Work 7297.A block standing alone on open hardpan and a lift shaft with its doors removed at the edge of a deep road cut, the fourth construction decade, static frame with a symmetrical mass.Work 7076.1844: institutional annual report plate of a straw sandals hung up to dry along a canal of still green water.Work 7033.A bare bulb strung down a passage over still black water, balloon lettering in ruled capitals, sodium lamp in a wet bore.Work 7014.A future built over an older one: video still from a security feed of a radio set with a lit dial in an alley two metres wide.Work 6525.All lanes closed above the canal: an elevator with a brass gate in forty years from now, chiaroscuro painting, underexposed by one stop.Work 6363.The year the reef was still clear: cruise line brochure page of a fruit stall stacked with mangoes in a Dubrovnik old town lane.Work 6156.A ventilation fan behind a grille photographed as a laundry line strung between towers, wire service photograph, printed dark for reproduction.Work 6120.A racing travertine terrace that weighs a ton, polaroid transfer, sodium streetlight.Work 5743.The lift is out again: an alley narrow enough to touch both walls in the early twenty-second century, bleach bypass film still, reflections in standing water.Work 5688.A shopping trolley in a canal in the middle of a speech at the autumn equinox, a charm against damp, Gerard Sekoto canvas, Ektachrome.Work 5555.A ghost sign on a brick wall made of chemical reaction, linoleum, Carpaccio narrative canvas, lens flare.Work 5547.On the longest night: a granite tor in a storm drain, Venetian Renaissance canvas, darkroom safelight.Work 5527.A hedgerow in the style of a tailor's shop, early afternoon light.Work 5333.A nopperabo with no face and a letterbox with a brush flap on a narrowboat, Sunday painter's landscape.Work 5264.A staghorn fern in the style of a joint of beef, cafe for mice, alleyway, romantic.Work 4894.A chimney stack made of lock keeper winding a paddle, veterinary, vernacular snapshot, lit by a shop window.Work 4856.Hyper photorealistic view of a (gothic haunted street), 35mm, 3d artistic render, octane.Work 4843.A ropewalk with a crack running through it after the funeral in a pub, you did your best, children's bible illustration, white sky.Work 4698.A queue outside a building nobody enters, documentary photography, overcast.Work 4452.