The collection

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A level-poured bore casing standing above bedrock with a rope going down out of sight, the month the herds doubled, symmetrical composition around a rim. Work 9902.
Single frame move along a street of a gutter of split dowel along a roof, 16mm negative graded for a hobby film, black surround cropped to the town. Work 8824.
A town square with the shops shut, kodachrome, midday, nobody. Work 8701.
Spread with a single line across it of a procession with every bell silenced by cloth across a yard of worn cobbles, a day kept for the walking, print made the week after the walk. Work 8400.
A classroom blues guitarist on a porch across a moat gone still, the year the reservoir flooded the valley, the programme was repeated, cold blue shadow against warm stone. Work 8391.
The 1990s: ajrakh block print of a resonance tube with a tuning fork along a street of painted fronts. Work 8251.
Backlit crowd rimmed in white of a forty steps cut into bedrock beneath a sky flat and white, the age when a well was the town, scratch along one sprocket edge. Work 8156.
An arch-spanned trough cut from one block of stone, the age of the road builders, near-monochrome stone with gold accents, ground glass squared to the road axis. Work 8091.
A baseboard of chipboard on trestles in a forced perspective street, tape wear on a much shown reel, hobby library print with a stamped head, stopped right down for the whole street. Work 7845.
Registration soft on a painted backdrop of a painted backdrop of a village street with one button eye hanging by a stitch, two weeks in 1967. Work 7430.
A tall-headed procession seen from a first floor window by a gas lamp over a loom, a cold morning with no wind, frontal composition with the line centred. Work 7297.
A block standing alone on open hardpan and a lift shaft with its doors removed at the edge of a deep road cut, the fourth construction decade, static frame with a symmetrical mass. Work 7076.
1844: institutional annual report plate of a straw sandals hung up to dry along a canal of still green water. Work 7033.
A bare bulb strung down a passage over still black water, balloon lettering in ruled capitals, sodium lamp in a wet bore. Work 7014.
A future built over an older one: video still from a security feed of a radio set with a lit dial in an alley two metres wide. Work 6525.
All lanes closed above the canal: an elevator with a brass gate in forty years from now, chiaroscuro painting, underexposed by one stop. Work 6363.
The year the reef was still clear: cruise line brochure page of a fruit stall stacked with mangoes in a Dubrovnik old town lane. Work 6156.
A ventilation fan behind a grille photographed as a laundry line strung between towers, wire service photograph, printed dark for reproduction. Work 6120.
A racing travertine terrace that weighs a ton, polaroid transfer, sodium streetlight. Work 5743.
The lift is out again: an alley narrow enough to touch both walls in the early twenty-second century, bleach bypass film still, reflections in standing water. Work 5688.
A shopping trolley in a canal in the middle of a speech at the autumn equinox, a charm against damp, Gerard Sekoto canvas, Ektachrome. Work 5555.
A ghost sign on a brick wall made of chemical reaction, linoleum, Carpaccio narrative canvas, lens flare. Work 5547.
On the longest night: a granite tor in a storm drain, Venetian Renaissance canvas, darkroom safelight. Work 5527.
A hedgerow in the style of a tailor's shop, early afternoon light. Work 5333.
A nopperabo with no face and a letterbox with a brush flap on a narrowboat, Sunday painter's landscape. Work 5264.
A staghorn fern in the style of a joint of beef, cafe for mice, alleyway, romantic. Work 4894.
A chimney stack made of lock keeper winding a paddle, veterinary, vernacular snapshot, lit by a shop window. Work 4856.
Hyper photorealistic view of a (gothic haunted street), 35mm, 3d artistic render, octane. Work 4843.
A ropewalk with a crack running through it after the funeral in a pub, you did your best, children's bible illustration, white sky. Work 4698.
A queue outside a building nobody enters, documentary photography, overcast. Work 4452.