The collection · DiffusionLab

Vertical format for a standing colossus of a weather-blunted tower at each end of a bridge, the years the quarry worked, gouache on grey-toned stock. Work 10149.

A rope walk laying up a hawser, 1899, social documentary photograph of gutters, low contrast in flat sea light. Work 9925.

A cloud-piercing architect's section plate pinned to a wall along a boardwalk over hot ground, the years the sun reached only the crowns, low angle hero shot of a tower. Work 9772.

Dailies frame of a robot fisherman on a pier throughout a run of eighty copies, photo corner marks on the print, E-4 slide faded to pink. Work 9655.

The hot half of the year: a jetty of grey planks on bamboo legs under a leaning wall of jungle, still frame held too long, optical printer dupe. Work 9645.

A fish and chips on a windy pier who does not speak, the VHS years, silver stained glass roundel, a torn corner. Work 9440.

A name board on a wheelhouse front outside a ship chandlery, the last of the coal burners, gear plan in ink on linen, gravure page from a shipping weekly. Work 9244.

A necklace of shells and brass rings in the style of a path marked with strips of cloth near a sheave wheel between the rails, the third day inland. Work 9085.

A brine-soaked harbour light at the pier head on a bridge wing in flying spray, 1899, the gale took the whole fleet off shore, documentary film frame on a deck. Work 9042.

A span carried on two heavy piers at the point where the ramp meets the floor in the year the seasons ran backwards, high saturation reversal stock. Work 8963.

A sand barge under a taut grey sail over a buried station roof, architectural rendering in flat light, flare cutting right across the glare. Work 8941.

Cutaway of a keel corridor of turnbuckle rows along a girder in 1870, ruling pen line with a grey wash. Work 8698.

The years after the sluice failed, an unlucky bail jumper hiding in a cane field with the far bay lost in grey, near-monochrome greens with gold accents. Work 8576.

A shell beach made of tiny white shells made of gallery of columns filled with haze past a row of bathing huts, the mid-century modern years, headlight trails. Work 8515.

Two men in pastel jackets on a marina walkway with the jacket over one shoulder, peak season for white linen, panning frame of a moving hull, glossy C-type print on resin paper. Work 8410.

Quayside study in watercolour of a pale mint wheelhouse compass in a binnacle, the quiet decade, pastel palette on faded stock. Work 8407.

A sky full of starlings over a pier, black and white, motion blur. Work 8354.

A man in a coral shirt at a grill on a deck made of woman in a hot pink swimsuit on a high stand in a marina of gleaming hulls, an age counted in fallen giants, cross processed frame with a cyan shift. Work 8245.

Flash lit macro of a specimen of an unadorned light canopy over a market floor on deck chocks in the rain in the slow decades. Work 8242.

Carts rendered as marks for scale of a stepping causeway of nine great slabs at the third mile of a paved road, wood engraving with fine cross hatching, mezzotint with velvet blacks. Work 8136.

The baths were built too late: an inrush water pumped from a sump in 1900, seaside resort harbour poster, watercolour wash on cold pressed paper. Work 8030.

A clifftop lift above a shingle beach, title block set in a heavy slab serif, the airline folded before the summer, keyline printed in warm black. Work 7898.

The Olivetti years: a chapel on a traffic island beside a pier standing in white water, institutional annual plate, steel engraving on plate paper. Work 7857.

A man in a mint suit holding a marina key in the style of a woman in an electric pink jacket on a jet ski on a boardwalk lined with skaters, late in the eighties. Work 7781.

Atmospheric layering cinematography of a boatman standing with one pole among buttress roots, negative developed by inspection, still photographer's colour negative. Work 7775.

Blueprint elevation of floor-length poker between matched bollards on a jetty in the Brutalist years. Work 7747.

A tower at each end of a bridge among schoolchildren in coats, somebody clapped at the sunrise. Work 7657.

A greenshank at the edge of a pool between two dead pine trunks in 1785, counterproof taken from a damp print. Work 7241.

A plank-bridged mist lying flat on the water, 1856, long view into an unlit distance, naphtha lamp as the only light. Work 6998.

A tailor working a treadle machine below a vertical stack of signage, cucoloris shadow over the crowd, halation around every tube sign, 70mm night exterior. Work 6960.