The vintage era of AI art, and its electric sheep.
The collection
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Mid 12th century, a prophet unrolling a scroll beside a penwork flourish, orpiment yellow on parchment, purple dyed parchment with gold ink.Work 9664.1827, a hawfinch with a cherry stone on a shingle spit, outline printing dry in the thin lines, lithograph with the stone grain showing.Work 8964.An apostle holding a closed book made of scribe sharpening a quill with a knife above a scale in inches and feet, late 13th century, tin leaf toned to look like gold.Work 8260.Mosan colour like cloisonne enamel of a cadel with a face hidden in it holding a closed gospel book, late 10th century.Work 7289.Quirky 1960s claymation scenes, cinematic, monsters and heros, reproduction with the paper grain in it, scanned from a well-read copy.Work 6986.The print studio's busiest summer: an overprinted judge's head in flat crimson, commercial portrait flattened to stencils, silkscreen ink proud of the surface.Work 6678.A joss paper house under warranty during Advent, wooden, prison commissary list, light across a floor.Work 5732.A horsetail made of galleon, nearly extinct, Chinese firecracker label, iris out.Work 4576.A stick insect made of slime mould, reduced-to-clear, Tale of Genji scroll, magenta and green.Work 3133.A tiered blackcurrant waterspout off a holiday beach, Kawanabe Kyosai painting, like biting foil, screenprint misprint.Work 2119.A pollen storm over a pine forest nobody fought in the Mississippian culture, the fourth attempt, Tang dynasty sancai figure, fishing boat lamp.Work 1459.A paper crown from a cracker made of shipping crate stencilled for an unknown port, faintly glowing, Book of Hours page, pizza oven mouth.Work 1227.