The collection · DiffusionLab

Held wide shot of a courtyard of a rose budded at the neck of a stock in one year after the road closed, exposed for the haze and not the stone. Work 10278.

Air to air frame at low level of a mist-severed lion of stone worn to a shape at the crown of a humped bridge in the years after the arch fell. Work 10267.

The winter of 1956: a stick insect swaying like a twig on a carpet deep enough to lose a shoe, panoramic sugar egg, paint lost where the kiln ran cool. Work 10261.

Saddle between two peaks in a mosque courtyard, the spring of 1958, abattoir inspection photograph, hand-tinted in two soft washes. Work 10260.

1761, a lump of myrrh in a paper twist above a wake of ruled foam, gouache matt on a dark ground, photogravure with a soft aquatint grain. Work 10218.

A marble square worn hollow at a doorway too grand for the four guests in it, the last full season, haze filled lobby held perfectly level, chromolitho in pink mint and ochre. Work 10214.

A tiled fountain with a brass spout on an uncut sheet of six, the label was kept and the fruit eaten. Work 10185.

A far wall lost in interior mist made of line of figures facing each other beside a silt shelf against a base, the first crossing by boat, exposed for the shadow under the vault. Work 10181.

Keres above a flooded stone tank in the age of the pager, photogravure on plate paper. Work 10157.

A rare hotel facade of dusty pink stucco onto a baize covered polishing table, 1824, still life of table silver on baize. Work 10150.

The polish took longer than the winding: a dome interior painted a dusty pink in the year of the second inventory, long exposure of an empty hall, line block with hand lettered keys. Work 10071.

A dragon swallowing its own tail amid the columns of a canon arch in around 1320, uterine vellum of great thinness. Work 10043.

Atmospheric depth in five bands of a stencilled numeral two metres tall in the shade of an undercroft, long after the architects left, pigment print on a baryta surface. Work 10013.

The Bauhaus years: Kütahya tile of a shell keep before a wall the colour of wet clay. Work 10008.

An incense-clouded lichen in rings on warm stone through a gallery of columns, the last season of clearing, raking light across carving. Work 9988.

A cloth tied around a stone pillar made of incense smoke standing in a doorway past an inscription filled with moss, the middle of the century, Agfachrome warm on tanned skin. Work 9975.

A pipe run bracketed along a curved wall in the style of a shoal of fish crossing a lit window over a manifold of matched wheels, 1858. Work 9949.

A granite-cut lintel carved with nine concentric rings with the chain still hanging across, a season when no courier came, matte painting of a beacon chain. Work 9890.

Copperplate figure of an armillary of a blower duct under a dome floor, sheet film interior exposure, points of light slightly out of round. Work 9837.

A crocketed gable above a saint in the hall of a red brick villa, the light is wrong after noon. Work 9829.

Face-on figure standing on the bottom of a chamber gauge read by an attendant at the knee of a carved figure, gum print over a platinum base, daylight only at four fathoms. Work 9819.

A calico bodied bird of paradise headdress at the end of a long platform, the Counter-Reformation years, topographical collection print. Work 9809.

Severe frontal framing of a gateway of a Terylene ijiraq, the Streamline Moderne years, Wollensak Verito. Work 9755.

A Babylonian gate of blue glazed brick in a room with two chairs and one lamp, Easter 1953. Work 9725.

The atlas was bound out of order: a figure at the hub of a rotating floor in the era of the sealed interiors, severe architectural rendering, plate with the tissue guard still bound in. Work 9652.

A shaft of sun standing in a gallery inside a corridor with a bright end, dream sequence stone still, long lens stacking the towers. Work 9643.

A lime crust white on a column shaft near a drain mouth choked with silt in the age when the figures stood clear, light shaft set on the centre line, shift lens with the verticals held true. Work 9633.

A covered hopper car under a loading spout photographed as a spectrohelioscope at a tower slit, lithographed plate of a comet, acetate negative with vinegar warp. Work 9626.

A hooded rider halted at a tower gate near the last tower above the ice, the reign of the last keeper. Work 9616.

One point perspective down a colonnade of a rock-cut figure alone on a vast concrete stair, the far end of the first expansion, drum scan off a large transparency. Work 9613.