The collection · DiffusionLab

Muted pastel through green haze of a stone face looking up out of the sand in the season the lamps were caged, aquatint with a dark ground. Work 10254.

A fourth-generation hand-numbered tape out of fifty between two seated stone figures, the age of the stone cutters, crude one colour print on thin paper. Work 10193.

A relief panel of dancers, the hot months, heat and humidity photography, daylight stock under coloured air. Work 10136.

Typology grid of masked figures of a part held up in a beam of light and a handwheel turned by two figures, the week the line ran double, dyeline copy of a work study sheet. Work 10014.

Sugar sculpture of a bristlemouth in the Prague Spring, duplicate negative one generation down. Work 9969.

1822, a dedicated quarry face with a tramway out numbered on a small iron plate, painterly rock with sharp instruments. Work 9878.

Face-on figure standing on the bottom of a chamber gauge read by an attendant at the knee of a carved figure, gum print over a platinum base, daylight only at four fathoms. Work 9819.

An age measured in miles of paving: lithograph in three stone greys of a lap of a seated figure used as a shelter at a relay marker on a straight mile. Work 9796.

A sensor mast planted beside a face photographed as a tent line in the lee of a monolith, no fill light on the shadow side, orthochromatic stock with a white sun. Work 9758.

A stiffened unfired figure with shoulders built into wide fins, two weeks in a cold workshop, high key colour with one dark accent, negative with the frame number in view. Work 9738.

A Benin bronze plaque in drizzle on a seafront promenade, caving expedition photograph, Fujicolor Super HG 400. Work 9718.

Flash-lit group portrait on the risers of an identical gesture held by five figures and a figure at a pedestal grinder, the last season on tape, interlace comb on a fast move. Work 9666.

The faces were all the same face: side lit relief photography of grass-jointed carved face four metres across, the time of the second survey. Work 9659.

The atlas was bound out of order: a figure at the hub of a rotating floor in the era of the sealed interiors, severe architectural rendering, plate with the tissue guard still bound in. Work 9652.

A bronze-tinged figure narrowed to a gleaming stalk beside a stand holding a spare collar, the year the lamps were replaced, colour gel portrait held perfectly still. Work 9594.

A magenta-hazed length of magenta cloth on a statue between two vast carved faces, the month of the flower offerings, the eighth doorway was not measured, hallucinatory temple treatment. Work 9464.

A file of walkers with cymbals held flat within a temple of carved plaster, the rubber split on frame four hundred. Work 9437.

A lichen spreading across a statue across a floor of raked dust, the flowers were changed twice that day. Work 9380.

The summer holidays of 1968: a lint flecked plasticine lion with a wool mane, title sequence over a clay landscape, 16mm colour negative printed to positive. Work 9330.

Deadpan interior portrait of a brass-plated figure standing inside a ring of white tubes beside a corral rail in the third rotation season. Work 9296.

Dystopian 1980s national monument, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9116.

Dystopian 1940s constructivist monument, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9019.

A granite-faced wheel rut cut a hand deep into stone, the time when the figures had faces, frontal record of a colossal gateway, halation glowing at the gate opening. Work 8967.

The haze had a colour of its own: figure tiny beneath a carving of a bat-hung monkey sitting on a carved head, the time of the second survey. Work 8758.

Mezzotint over an etched foundation of a pair of colossal seated figures flanking a pass in the age of the high builders, one working printed short of the edge. Work 8732.

His head fell off on take nine: a plasticine horse whose hind leg was rebuilt in one long afternoon in 1969, primary colour set photographed flat, optical soundtrack edge on the print. Work 8662.

A lichen-ringed cool-shaded frieze of figures under green haze, the month of the flower offerings, 70mm temple sequence still, warm filter on grey stone. Work 8625.

A kneeling angel with six wings of red and gold in mid 14th century, fish glue size on skin, kermes lake in a thin glaze. Work 8465.

A figure in a headpiece of steam bleached wire in the style of a figure standing in shallow mineral water under thin rain on warm rock, a period measured only in steam. Work 8457.

A seed-drifted carved stone head half sunk in leaf litter beside a lichen map spreading over pale bark, a season when the leaves did not fall, antiquarian plate of a wooded ruin. Work 8390.