DiffusionLab

The vintage era of AI art, and its electric sheep.

The collection

All 1375 keywords
A greyboard cut market stall with a striped paper roof, three years of Sunday afternoons, tape wear on a much shown reel. Work 10202.
A bus stop on a coast road, kodachrome, wind, salt. Work 10153.
A mirror ball lowered over the risers on a terrace above the grid, Plus-X under hot lamps, Agfachrome 100 transparency, pushed stock with visible grain. Work 10131.
A Lyons Maid freezer box and a line of sun loungers, box camera snapshot, glare off wet sand. Work 10087.
Telephoto shot flattening a whole valley of a shape thinning to a thread above hardpan, pigment ink on a heavy cotton sheet, drum scan with the grain kept. Work 10085.
Anamorphic frame of dense forest of a mud printed with bare feet below a roof of leaves, the third day inland, front element fogged with damp. Work 9924.
The year of the fair: a boomerang shaped canopy inside a flying saucer, stop motion puppet photograph, raking light across rivets. Work 9919.
A crazy paved hayrick giant over a printed pattern of even dots, the age of the penny farthing, flea market stall photograph. Work 9909.
The last century of the leech: an aromatic brass syringe in a velvet bed, woodcut with the colour outside the line, chromolithograph on a thick board. Work 9833.
A fairground barker's face in scarlet against a curtain printed flat, the week the pink ink arrived, publicity still turned into flat ink, a fingerprint set into the pink. Work 9706.
An engine cowling open at dawn, the middle of the 1970s, contre jour sunrise still, optical dupe with veiled sun. Work 9686.
A tulip bed in strict rows in a rack at a market stall, cottage garden scene in miniature, colour printed on a cream ground. Work 9582.
A van de graaff belt and comb on a plate divided into four panels in the age of the great exhibitions, sheet sun faded along one edge. Work 9570.
The plywood kiosk warped in a month: three-ink poster in red black and grey of a cog-toothed constructed stage set of ramps, the last constructivist years. Work 9496.
A noodle bar counter with six stools beside a gutter running with colour, airbrush and gouache on board, low-key exposure at a high ratio, hard backlight through drizzle. Work 9486.
A puddle shattered by a passing boot photographed as a bootleg chip vendor with a lit display case, pushed colour negative at night, volumetric shafts through steam. Work 9455.
A mineral spring pavilion past a machine parked and switched off, 500 BC. Work 9435.
A foreshortened four funnels raked in black and red in the late 1920s, halftone only in the sky, collotype plate with soft tone. Work 9340.
A sand-blasted temporary grain pile under a tarpaulin against a wall of black cloud, harvest of 1928, stereograph pair of a threshing crew. Work 9060.
A snow-blind tent floor of reindeer skin left standing for the next party, 1912, stores inventory sheet. Work 8899.
A print room across a walled kitchen garden in the drive-in years, Belle Époque affiche, Ilford HP5 Plus. Work 8779.
A lean to roofed with banana leaf beside a green shuttered window in the last hours of daylight, colour graded warm and heavy, half-tone on a heavy art paper. Work 8734.
Low key portrait under one lamp of a hand on a cradle with its fingers spread, mixed fluorescent and tungsten sources, hard lamp with a controlled falloff. Work 8729.
A timetabled timber frame straddling a shaft beyond a curve of gleaming rail, the dry half of the year, the spill dried before it reached the wall, backlit crowd rimmed in white. Work 8727.
A rice porters caught in a squall beside a stack of sake barrels, folding screen composition, keyblock outline in sumi ink. Work 8726.
A wedding chapel with a neon sign and a ghau amulet box, maquette, hand coloured globe gore sheet. Work 8660.
The era of the indigo robe, a dark tent cloth staked into sand among shadows nine animals long, charcoal and chalk on toned paper, 4x5 colour transparency in flat noon. Work 8637.
Architectural model photographed in colour of a corner shop with a striped awning with talcum snow on the slates, one wet August in 1966. Work 8624.
A salt-ringed forked post holding a crossbeam behind a wall of stacked loads, the season every herd came at once, dark robes against pale limestone. Work 8593.
An off-season hands up in the front row of the stands behind the house band glass, the winter run of 1979, interior decoration scheme in pastel. Work 8550.