The collection · DiffusionLab

A whip stitched half height cottage at the back of the stage, the autumn term of 1971, archive transfer with the head splice kept. Work 10263.

A window slit throwing a bar on the water before a bank of five turnstiles, an age remembered by a lime line. Work 10120.

A Lyons Maid freezer box and a line of sun loungers, box camera snapshot, glare off wet sand. Work 10087.

A chimney stack tapering to a rim on a pavilion's outside stair, registration out by two millimetres, photographed flat in even light, scalpel edge showing on a cut-out. Work 10000.

A gate across a footpath at a crossing in a waiting room with one bench, the season after the closure, available light in a signal cabin, watercolour wash over ruled ink. Work 9964.

Silver gelatin contact print of a mugshot in profile at a table beside the bandstand, the mid 1940s, shaft of light through a blind. Work 9939.

Glamour photograph on a terrace of a man weighed down with camera bags on a piste along the lip of a cornice, transparent dye over an airbrush base, offset litho at a fine screen. Work 9926.

A gone green Ndebele painted house beside a peacock chair, the Rhodesian UDI years, process plate for a background. Work 9908.

A crowd on a hotel roof with binoculars beside a lap board on the wall, glossy magazine double page spread, 5x4 colour sheet for a poster. Work 9752.

Courtyard sunk two floors into rock on a roof deck with no railing, monochrome with a cold concrete grey, exposure set to hold the shutter marks. Work 9749.

A soot-grimed printmaker's studio in the tubular steel years, a tear repaired from behind, five perf negative on location. Work 9572.

A white dome reflected in water beside a hotel ashtray in the twelve cent era, blown-up newsprint detail as a picture, plate wear thinning the outline. Work 9568.

A kiosk with a lattice roof on a blueprint's blue ground in the VKhUTEMAS years, contact print from a glass negative. Work 9562.

The third crossing season: a violet-rimmed traveller suspended with the arms folded, luminous plane treated as architecture, wide frame with the flare left uncleaned. Work 9460.

A weather-greyed oil-soaked planking grain ticket book on a counter, the dust years, pen and ink illustration of a grain town, red filter darkening the sky to black. Work 9446.

The trolley came up three times before noon: presentation plate for a shareholder report of a chalk-pastel promenade deck with a sloped window wall, the year the gantry was built. Work 9445.

A man in a striped shirt on two handsets at once, stereo pair survey photograph, the record was left in the sun, contre jour. Work 9178.

A lattice-caged snowshoes crossed above a mantel beside a pastry stand of three tiers, the season after the staff came back, tinted lantern slide of a terrace. Work 9172.

A reflection of a walker on nothing at all at a section house, vignette falling away at the corners, dust on the negative in the enlarger, colour print with a yellow cast. Work 9129.

It was centred by measuring from both walls: a crank turned by a gloved hand in the year the gallery was added, tinted lantern slide of an interior, two colour litho in mint and ochre. Work 9111.

A necklace of shells and brass rings in the style of a path marked with strips of cloth near a sheave wheel between the rails, the third day inland. Work 9085.

A reinforcement cage waiting for a pour across a bench cut in the quarry, epic establishing frame on a settlement, copper plate etching on laid paper. Work 8867.

A Georgian coffee house photographed as a funnel with a stained mouth, Hinterglasmalerei reverse glass painting, oil glazes over a warm underpainting. Work 8850.

A flamingo-pink woman in mint green heels on a marble terrace beside a hydraulic truck hoist tipping a box, late in the eighties, railway branch line record photograph. Work 8721.

Ski school notice in flat inks of a wooden stave church in deep snow and a coral island with a single palm, the late 1920s, magenta misregister by a hair. Work 8327.

A nine-panel iced tea sweating on a porch rail in the World Cup summer of 1974, oak boards covered in white leather, endpaper printed in one colour. Work 8324.

An antirrhinum spike in a hot colour in the dark of a shuttered shop, the years of the poison book, vegetable set against a plain panel, dot screen coarse enough to count. Work 8303.

A column of figures with bells on poles in front of a cottage in flower, he grew it for the show and nothing else. Work 8279.

A pyramid set piece in gold paint on a stoop built in a studio in the gatefold years, ink and dye on coated board. Work 8201.

A trackside hut of mint boards, flat even light with no sun, the timetable ran on two trains a day, hand tinted print in thin washes. Work 8200.