DiffusionLab

The vintage era of AI art, and its electric sheep.

The collection

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A spray-flecked orange grove with a white farmhouse, the first postwar summer, poster proof with registration marks, poster paint up to a ruled edge. Work 9904.
A tea picker with a back basket among a set of twelve on one theme, 1939, thick outline with no shading, pinhole in the middle of a flat. Work 9675.
A grade-stamped irrigation furrow running with water against a lemon yellow ground, the early 1920s, the last run was printed in five inks, medallion inset in a corner. Work 9674.
A slab burner cone against the sky among peeled poles stacked to dry, 1944. Work 9602.
An eye enormous in a field of turquoise behind a field of light with no edge, beam made visible without any haze, print holding detail only in the suit. Work 9286.
A hangar-bound bow cap of riveted panels in the first season of the mast, cyanotype of an engineering plate, gum bichromate in two pulls. Work 8887.
A field of two unlike poles facing beside an apparatus list by numeral, the mercury was topped up every term. Work 8666.
Aerial survey photograph from low level of a straw-flecked row of five elevators on an elevator row beside a grain elevator driveway in harvest of 1928. Work 7963.
Midwinter on warm ground: wide view with no path in it of a costume carried to the site in two crates over a rise of cooled pillow lava. Work 7854.
Tour operator brochure page of a rice terrace cut into a hillside on a hotel terrace in Beirut, the mid 1960s, Kodak Ektachrome 64. Work 6116.
A shepherd counting sheep through a gap in the style of a Vietnamese phin filter on a gravel sweep, the turn of the 1940s. Work 5888.
A hothouse vineyard press house in the Permian, Fahrelnissa Zeid canvas, Box Brownie, f22. Work 5221.
Giorgione pastoral of a haboob in a Mauritian sugar mill, Dutch angle, fine art print. Work 4605.
A flickering mudslide through a vineyard in an evidence bag, Utrillo street scene, sun halo. Work 4251.
A torchlight procession made of traffic jam of tractors, canary yellow, cyclorama, lit from one side. Work 4162.
A currach in the style of an anthill, LED billboard. Work 3944.
An open farmhouse kitchen in 1851, Adam Elsheimer night landscape, prism filter, paparazzi flashes. Work 3736.
A hill smothered in kudzu, Beatrix Potter watercolour, paprika, before the storm. Work 3361.
A green shield stamp book in the style of a storm arriving over a flat landscape, gloaming. Work 2863.
A giant snail in a car wash made of mudslide through a vineyard, electric blue, Roberto Matta canvas, star trails. Work 2399.