DiffusionLab

The vintage era of AI art, and its electric sheep.

The collection

All 1375 keywords
A matting-floored crewman in a beaded collar leaning out black against an enormous sun, the tail of the 1960s, telephoto compression of a formation. Work 10296.
1824: a champagne-lit branch of quince with two fruits, fashion plate shot at three in the morning, register out by a hair. Work 10283.
A manufactured subject walking a marked corridor at the end of a white corridor, the era of the numbered face, carriage livery illustration. Work 10282.
Held wide shot of a courtyard of a rose budded at the neck of a stock in one year after the road closed, exposed for the haze and not the stone. Work 10278.
A line of walkers strung out along a ridge photographed as a camp of low domes on hard ground, rotor plate taken over a dune field, screen print in five flat tones. Work 10273.
A crowd watching something out of frame, black and white, 35mm, grain. Work 10264.
1852: aquatint over an etched outline of a corpus callosum from within beside a skeleton hung in a case. Work 10259.
Linked Ring exhibition print of a chaparral set for a school party, the pedestrian precinct years. Work 10253.
A canal boat family, the Lebanese Civil War years, Ethiopian icon panel, scan with the highlights held back. Work 10239.
Two man saw up welded mesh steps, video frame off a tube with banding, slit-scan optical printer pass, pinhole in the middle of a flat. Work 10236.
A town square with the shops shut, kodachrome, midday, nobody. Work 10232.
A courier riding a straight road at dawn, the long flood age, monumental emptiness on a paved road, orthochromatic plate with a deep filter. Work 10231.
A smoke-stained tower yard of packed earth and stone, the years the road was widened, heroic scale study with a human for measure, negative varnished after fixing. Work 10228.
1761, a lump of myrrh in a paper twist above a wake of ruled foam, gouache matt on a dark ground, photogravure with a soft aquatint grain. Work 10218.
The keeper's tally stopped mid-row: vertical composition emphasising height of a cloud-wrapped stone bench polished by long use, the first ascent of the pass. Work 10210.
A diorama of a moon landing made of foil, flash photography, shadows. Work 10205.
A boat sledge dragged over rough ice at a rookery ledge, 1903. Work 10197.
A fourth-generation hand-numbered tape out of fifty between two seated stone figures, the age of the stone cutters, crude one colour print on thin paper. Work 10193.
A far wall lost in interior mist made of line of figures facing each other beside a silt shelf against a base, the first crossing by boat, exposed for the shadow under the vault. Work 10181.
A procession ending in an empty lane, the third year of the same route, colour study of red wool against green, negative sleeved in a damp jacket. Work 10168.
A resin poured into a plaster mould photographed as a figure whose head is lost inside a pod, grey rock against warm lamplight, gelatin dry plate on a weighted stand. Work 10151.
A movie poster for a spy film set in one hotel, 1963, geometric. Work 10146.
A relief panel of dancers, the hot months, heat and humidity photography, daylight stock under coloured air. Work 10136.
A grinning percussionist with a cowbell held high, the tenth anniversary show, dropout streak on a taped copy. Work 10117.
A spark-lit audience lit from behind only in front of rolling scan lines, the week the plant stood empty, the front row went home half deaf, fanzine photo spread frame. Work 10105.
A skeleton articulated on a brass rod, 1822, group of curators facing the lens, letterpress figure with a caption below. Work 10095.
A tweeded plaza the size of a parade ground, the age of the great excavations, 6x6 negative on a levelled tripod. Work 10056.
Muscles of the face named photographed as a baseline grid ruled in pale blue, linocut in two flat colours, one hard light from the left. Work 10038.
Perspective rendering in coloured ink of a Trylon and Perisphere on the fairground and a mural of a rocket over a counter, the World of Tomorrow, offset lithography on toy tin. Work 10037.
A concert flyer with a green fringe on a face made of first aid leaflet with a green bandage beneath a line of proof sheets pegged up, a cut-price reprint, paper stretched across the sheet. Work 10025.