The vintage era of AI art, and its electric sheep.
The collection
All 1375 keywords
A man in a linen suit lounging on a white bow among rows of numbered lamps, summer 1985.Work 10258.Tournament programme colour plate of a lemon-yellow man in whites holding two rackets and a drink, the first week of the club season, polarising filter on a deep blue sky.Work 10230.A launch gantry with a swing arm at a service station forecourt, the space race, Frank R. Paul style cover painting, coloured gel on the background.Work 10224.A movie poster for a spy film set in one hotel, 1963, geometric.Work 10146.A skeleton articulated on a brass rod, 1822, group of curators facing the lens, letterpress figure with a caption below.Work 10095.An elevator operator with a slack jaw, the turn of the 1970s, comprehensive layout in marker, magenta out of register by a hair.Work 10077.Quirky 1960s constructivist country club, retro tech, Project film, print with a retouched background. damaged film, film grain.Work 9974.A provincial hands folded in a lap crossing from left to right, the spring of 1968, Cahiers du cinema illustration.Work 9970.Head-on plate of a map wall of a ranging rods stacked in a matched pair and a chief surveyor in a dusty pink coat, a century into the drift, albumen print on thin paper.Work 9953.Group portrait on a clipped lawn of a duty free counter with perfume testers in the package tour years, Kodak Ektachrome E-4.Work 9930.The year the floor was rebuilt: glitter lettering on black stock of a man in cherry satin flares down on one knee under a bank of pin spots.Work 9901.A Rai stone in bell bottoms with a hem that drags, the Baroque years, UFO sighting photograph, Lomography Color Negative 400.Work 9897.Polar expedition plate of a secretly pleased xiezhi at the curtain call in the Yuan dynasty.Work 9869.A figure with three collars stacked upward, portrait with a tape measure left in, it stood up on its own afterwards, daylight balanced stock under soft boxes.Work 9859.Licensing inspection photograph of a town square, Ektachrome E100G, Fujicolor Superia 200.Work 9818.Memorial portrait of postmodern 80s fashion, ministry-grade, complementary colours, highly symmetrical face, detailed and perfect hands.Work 9774.A blown-out taxi driver's face in flat amber inside a magazine cover crop, an hour before dawn, straight-on architectural record.Work 9750.A fairground barker's face in scarlet against a curtain printed flat, the week the pink ink arrived, publicity still turned into flat ink, a fingerprint set into the pink.Work 9706.Quirky 1960s constructivist deco, retro tech, Project film, print with a retouched background. damaged film, film grain.Work 9697.An engine cowling open at dawn, the middle of the 1970s, contre jour sunrise still, optical dupe with veiled sun.Work 9686.A Zulu isicholo hat, blueprint elevation, she looked up too late, copy shot slightly off square.Work 9679.Pencil sleeve rough on tracing paper of a woman in a marble bath holding a telephone asking for the whole trolley again, the last gatefold season.Work 9657.Dailies frame of a robot fisherman on a pier throughout a run of eighty copies, photo corner marks on the print, E-4 slide faded to pink.Work 9655.A crew applauding at the end of a take and a deadpan crew of four in matching overalls beneath a pipe gallery in oxblood, the spring run of 1977, contact sheet frame from a tape day.Work 9650.The first season of the mast, a steward in a short white jacket in front of twelve men in matching tunics, letterpress with a tissue overlay, limelight aimed into a large space.Work 9615.A renaissance portrait of a crow with a signet ring, chiaroscuro.Work 9607.A cropped tight eucalyptus-lined fairground barker's face in scarlet, a run of six heads in six inks, portrait with the shadows as one black, print pinned through four corners.Work 9559.A man in a striped blazer carrying two toboggans outside the lift house door in 1990, hard flash with a polished reflector.Work 9557.A figure in a shawl of beetle green thread and a painted arrow faded to a ghost beneath a sky bleached to bone white, late in a season of still air, long lens compression across bare ground.Work 9497.A nurse in a Pacific field hospital on a rain-black street in the fourth printing, impasto highlights over a thin wash, staple rust marks on a digest.Work 9492.