The vintage era of AI art, and its electric sheep.
The collection
All 1375 keywords
A bus stop on a coast road, kodachrome, wind, salt.Work 10153.Anamorphic frame of dense forest of a mud printed with bare feet below a roof of leaves, the third day inland, front element fogged with damp.Work 9924.A slow-hauling salt-blinded salt block waymark whitening further, the season the pan stayed dry, composition with the sky filling two thirds, polariser cutting the sheen off brine.Work 9734.The year of the big burn, a sap-sticky bunkhouse with double bunks on the last turn of the day, watercolour of a flume trestle.Work 9415.A foreshortened four funnels raked in black and red in the late 1920s, halftone only in the sky, collotype plate with soft tone.Work 9340.A sand-blasted temporary grain pile under a tarpaulin against a wall of black cloud, harvest of 1928, stereograph pair of a threshing crew.Work 9060.The Hundred Years War: technical manual cutaway of a sloop beside a cairn on a bare saddle.Work 8957.A timetabled timber frame straddling a shaft beyond a curve of gleaming rail, the dry half of the year, the spill dried before it reached the wall, backlit crowd rimmed in white.Work 8727.The years of the glass pavilion, a rivet-studded power line marching to a horizon cut hard against flat red, elevation in flat ink and no tone.Work 8611.A salt-ringed forked post holding a crossbeam behind a wall of stacked loads, the season every herd came at once, dark robes against pale limestone.Work 8593.A cream-lined booth of pale panels with a curved roof lined out by hand in cream, the first season, tinted lantern slide of a mountain line.Work 8443.A route cairn with a rag tied to it carrying water for four more days, the age when a crest was a road, tight crop on four overlapping corners, flyer folded in four in a pocket.Work 7631.A tea stall bench under a pine, wind shown as flying leaves, the carver's name is not on it, blocks recut for a fifth printing.Work 7225.The newsstand years, a cab roof seen from twelve storeys up against a red dot gradient, flatbed scan of a reading copy, staple rust at the middle fold.Work 7069.A bush hammered concrete pier, serial typology of structures, the lifts have been out for months, low winter sun raking a facade.Work 6324.A deep overhang shading a verandah and a site plan with contour lines across a Soviet microdistrict, the year before demolition, deadpan documentary photograph.Work 6013.An Artek pioneer camp on the shore in a poster hoarding, theatrical footlights from below, flat spot colour lithography, Fujichrome R25N Single-8.Work 5977.Commuters on a platform in the rain, kodachrome, umbrellas, 1974.Work 5947.An anodised precast tension cable roof, the reconstruction years, photograph of an architectural model, Panatomic-X fine grain.Work 5807.A three piece suite under plastic covers, Claude-Joseph Vernet storm, retro-futurist, ORWO UN54.Work 5667.A patient pebble beach at Gagra beside an open-air lido, 1964, the hut was number nine, Homer Sykes style photograph.Work 5601.A silo cluster beside a rail siding and a family behind a windbreak at the foot of a cliff lift, the summer of 1976, Julius Shulman style photograph.Work 5577.Kodachrome slide of a hoopla stall, Type C colour print, Kodak Ektachrome E-4.Work 5575.A quarantine tent, pharmaceutical advertisement, pipe cleaner, bus shelter advert glow.Work 5473.A petrol station in the middle of nowhere, kodachrome, heat haze.Work 4904.A bus stop on a coast road, kodachrome, wind, salt.Work 4668.A bus stop on a coast road, kodachrome, wind, salt.Work 4554.Arcade marquee of a marmot whistling in an amphitheatre, laser in haze.Work 4458.The space between stations: a driftwood log at milking time, palladium print.Work 3589.A bus stop in the middle of nowhere in the style of a tarantula, lunar surface glare.Work 3550.