The collection · DiffusionLab

A path curving out of sight in gold under a canopy held up like a ceiling, bellows racked out for a near root, mural study in charcoal at full size, reversal slide stock pushed half a stop. Work 10090.

The time of the nine towers: a watch bell rope hanging through a hole in the lee of a snow fence of slabs, haze thick enough to swallow the far towers, egg tempera on gessoed board. Work 9857.

A slab burner cone against the sky among peeled poles stacked to dry, 1944. Work 9602.

A woman in a headscarf on a hotel roof terrace at a wheel stack behind a garage, the shift with no supervisor on, works handbook illustration, four colour halftone on gloss stock. Work 9539.

A rancho gate of peeled poles against a sky of graded cobalt, the last season before cartons, sign painter's shaded capitals, chalk price wiped from the surface. Work 9164.

Footprints filling in behind a walker, the century the stations closed, motor show stand photograph, 65mm negative with fine grain. Work 8762.

A timetabled timber frame straddling a shaft beyond a curve of gleaming rail, the dry half of the year, the spill dried before it reached the wall, backlit crowd rimmed in white. Work 8727.

An algae bloom seen from space with the gate chained shut, the summer of 1914, video still from a worn tape, photostat. Work 8658.

A tassel-hung crest cut by a single file of prints beside a silver disc hung at a throat, the season of steady wind, hard noon light with no fill at all. Work 8503.

A glue-stained motor scooter with a windscreen under glassine in an album, 1930, export label with bilingual type. Work 8286.

The plug was pulled at half eleven: black and white with blown highlights of a long-billed quail hidden in a hayfield, a hundred degree July. Work 8233.

A mesh diamond pattern in hard light among cage pallets of offcuts, blueprint of a yard boundary, colour transparency gone orange, daylight stock gone amber. Work 8227.

The seventh transit: a flat-coloured face half magenta and half cyan, field of colour with one hard edge, wide gauge print with an open gate. Work 7912.

A long-standing hollyhock against a fence, just after the war, letterpress on unbleached stock. Work 7819.

An armoury rack of long spears beyond a chain slung across the way, a century of quiet on the frontier. Work 7565.

The crates were still in the van: a hem weighted against the updraught in the season the sheep came down, concours programme colour plate, large format landscape on sheet film. Work 7490.

A thorn fence casting a lace shadow made of bore casing standing above bedrock beyond a pen of waiting animals, the end of a four year drought, digital intermediate finished cool. Work 7475.

An approach road running straight at a wall, the era of the great slabs, long lens compression of a wall, muted colour transparency. Work 7433.

Engineering plate with a scale figure of an only wet ground for fifty miles, oil on canvas with a warm ground, shimmer over a far thorn fence. Work 7267.

Quirky 1960s constructivist country club, retro tech, Project film, print with a retouched background. damaged film, film grain. Work 7124.

A fox looking back over a hedge against a pale washed sky in early 1930s, soft graphite on laid paper. Work 7043.

A bare ground with no plant in sight in the style of a field of monoliths running to the edge in the shade of a vertical wall, before the second one was found. Work 7038.

The rods went out further than the track: oil sketch on millboard of a green-shaded quince, the era before the yards were roofed. Work 7034.

Dust-choked chalk-priced grasshoppers on a fence wire, harvest of 1928, documentary photograph for a relief agency, colour print with a yellow cast. Work 6930.

A gate latch off the edge of a monitor wedge in the summer of 1940, flatbed scan of a foxed leaf. Work 6911.

A wax sculpt of a creature head and a fence post set in a concrete collar, flat frontal record of a wall, 35mm colour negative printed to a dupe. Work 6843.

A hundred staples and no flyer left made of mailbox side covered in pasted paper near a boiler and a water heater, the night before a show, eight flyers cut from one sheet. Work 6697.

Livery illustration in pastel tones of a fence of wire on posts along a line up a gradient of one in eighty, woven sample mounted on a page, sepia album print with corners. Work 6686.

A cattle gathered at the far fence and a Futurama model of a highway city at the edge of a logging road, the World of Tomorrow, newsreel frame. Work 6625.

Papers ready at the barrier: reportage photograph of a soot-stained gang in matching mirrored visors, the era of the retrofitted machine. Work 6542.