The vintage era of AI art, and its electric sheep.
The collection
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A marble square worn hollow at a doorway too grand for the four guests in it, the last full season, haze filled lobby held perfectly level, chromolitho in pink mint and ochre.Work 10214.A fourth-generation hand-numbered tape out of fifty between two seated stone figures, the age of the stone cutters, crude one colour print on thin paper.Work 10193.Window three was the only one open: light shaft on polished stone study of a skylit balustrade of pale stone panels, the polished years.Work 10190.A resin poured into a plaster mould photographed as a figure whose head is lost inside a pod, grey rock against warm lamplight, gelatin dry plate on a weighted stand.Work 10151.A switchboard of marble and brass and a clock with a second dial for depth near a switchboard of marble and brass, 1887, engraved plate reprinted in colour.Work 10122.A scallop-canopied fireplace of pale veined marble with a folded cloth over one arm, 1902, the manager stood where he always stood, centred lobby interior plate.Work 9835.Oil on panel in the Dutch manner of an eye bath of blue glass on a marble slab worn hollow, before the pharmacopoeia was fixed, albumen print gone yellow at the edge.Work 9753.A pool with a perfectly level surface between two matched rock pillars, nobody found where the light came from.Work 9147.A counterweight of stacked brass discs above a plinth of pale marble, the season before the great model arrived.Work 8804.Soap advertisement in a marble bath of a herringbone-floored man in braces choosing between two ties beneath a hanging map of one coast in the year the hall was panelled.Work 8428.A courtyard with haze standing in it and a colonnade with light between each column, hallucinatory temple treatment, veiling glare in a dark gallery.Work 8322.A concierge centred behind a pink marble desk photographed as a brass frame screwed beside a door, overhead plate of a laid table, single lamp raking across marble.Work 8307.The Maya classic period, a gold-edged hobgoblin sergeant above a marble dado, contre jour sunrise still.Work 7994.The season every herd came at once: press photograph of a recovery of a radio room with a key and headphones at a darkroom sink at sea.Work 7407.A wind-filled light releaded in the wrong order in the Quiet Revolution, Agfacolor CN17, print with the marble dodged down.Work 7121.The age of the ball and socket armature: an impossibly heavy winged lion cast from a plaster mould, stopped down to hold the whole set, cement splice through a composite.Work 6757.Photographed by daylight on a bench of a brass till on a shop counter under a low beamed ceiling, exposure taken for wet stone, page opened so often it is soft.Work 6655.A measured bank counter in black marble and brass in a converted warehouse space, 1938, the architect died before the topping out, topographic photograph.Work 6621.A streamlined bronze bat over a granite entrance in an elevator lobby, the boom years, press photograph from the period.Work 6574.An elephant in a hotel lobby, wide angle, marble, chandeliers.Work 6537.A ziggurat setback crowned in nickel in a hotel lobby lined with marble, subway platform poster, night exposure with wet pavement.Work 6500.A Havana lobby lined in green marble, industrial catalogue illustration, nobody remembers the band's name, ink and wash on tracing paper.Work 6497.1850, a shooter marble at 2001 Odyssey in Bay Ridge, open flash, Bergger BRF 400.Work 6300.Lacquer panel painting of a lacquered cabinet with shagreen panels in a terrazzo entrance hall, 1933, gouache on grey board.Work 6285.An airport-lounge handheld electronic game posing for a sculptor, liquid emulsion on stone, warm light.Work 5600.Liquid emulsion on stone of a fern unfurling on a kitchen table, Petzval lens.Work 5556.The smell of a closed museum: a marble vein in a blanket fort, museum lighting, glass.Work 4451.A Roman bath in the style of a whale stranding, available light, brass and dust.Work 2786.Under observation: a telegram at the premiere, Bernini marble.Work 2452.Ethereal gardens of marble built in a shining teal river in future city, Fernand Leger canvas, the armistice, amber monochrome.Work 2209.