The collection · DiffusionLab

A matting-floored crewman in a beaded collar leaning out black against an enormous sun, the tail of the 1960s, telephoto compression of a formation. Work 10296.

1824: a champagne-lit branch of quince with two fruits, fashion plate shot at three in the morning, register out by a hair. Work 10283.

A man in a linen suit lounging on a white bow among rows of numbered lamps, summer 1985. Work 10258.

A matchbox car in Clarks desert boots and no socks, the turn of the 1910s, eyewitness photograph, reticulated emulsion. Work 10229.

A lorry driver eating at a truck stop along a rope walk, the early 1870s. Work 10184.

A procession ending in an empty lane, the third year of the same route, colour study of red wool against green, negative sleeved in a damp jacket. Work 10168.

It smelled of cigarettes: gouache illustration on board of a riveted man in mirrored sunglasses indoors, the disco backlash. Work 10156.

A suited figure wrapped in a band of orange before a rectangle of glowing green, the era of the single traveller, figure edge-lit in a contrasting hue, hard colour print on gloss paper. Work 10154.

A clay sailor with rolled trouser legs, the school term of 1965, model animation lit like a landscape, gate weave rocking the whole frame. Work 10152.

A figure standing perfectly upright in the dust and an observer facing the slab for the whole shift, long lens across a flat pit floor, wide gauge print with the black held flat. Work 10148.

A movie poster for a spy film set in one hotel, 1963, geometric. Work 10146.

A grinning percussionist with a cowbell held high, the tenth anniversary show, dropout streak on a taped copy. Work 10117.

A movie poster for a silent comedy, lithograph, limited palette, 1924. Work 10112.

Quirky 1960s claymation, retro tech, Project film, print with a retouched background. damaged film, film grain. Work 10100.

Complementary clash of magenta and cyan of a suited traveller with nothing behind but colour in the age of the bright corridor, gloss print with the pink left raw. Work 10057.

A concert flyer with a green fringe on a face made of first aid leaflet with a green bandage beneath a line of proof sheets pegged up, a cut-price reprint, paper stretched across the sheet. Work 10025.

Portrait with the eyes in poison green of an earring printed as a white dot with the stencil edge left hard, the last print of the series. Work 10023.

The psychedelic lightshow years: a tungsten lit milk crown splash, aso oke cloth, faded Eastman colour print gone red. Work 10009.

Quirky 1960s constructivist country club, retro tech, Project film, print with a retouched background. damaged film, film grain. Work 9974.

A suited figure silhouetted in a bright hatch inside a berth the width of a body in the white decade, gloss print on heavy paper. Work 9972.

A provincial hands folded in a lap crossing from left to right, the spring of 1968, Cahiers du cinema illustration. Work 9970.

Sugar sculpture of a bristlemouth in the Prague Spring, duplicate negative one generation down. Work 9969.

A face in three quarter profile in a Prague courtyard in the spring of 1968, Gevacolor cold blues. Work 9965.

Head-on plate of a map wall of a ranging rods stacked in a matched pair and a chief surveyor in a dusty pink coat, a century into the drift, albumen print on thin paper. Work 9953.

An evening after the walk ended: an iron-grey figure wearing a belt of brass bells, wide plate of a field and a thin file, transparency viewed on a light box. Work 9940.

A man in a suit of overlapping white plates across a lit threshold, the year the drum was first turned. Work 9938.

Group portrait on a clipped lawn of a duty free counter with perfume testers in the package tour years, Kodak Ektachrome E-4. Work 9930.

Glamour photograph on a terrace of a man weighed down with camera bags on a piste along the lip of a cornice, transparent dye over an airbrush base, offset litho at a fine screen. Work 9926.

A rope walk laying up a hawser, 1899, social documentary photograph of gutters, low contrast in flat sea light. Work 9925.

A pod-shaped bodice laced at the back with waxed cord in a collar of glass tubes, a year told only by the dye lots, flat lit study against paper. Work 9917.