The collection · DiffusionLab

A wet night in 1985: an organ bench with nobody on it beside a marquee on a lawn, motoring magazine road test frame, halftone at 175 lines on art stock. Work 10160.

A diner menu board at closing time, neon, wet pavement reflection. Work 10147.

A thread frayed men's house on a wet tarmac, the Palaiologan years, Ghanaian hand painted film poster. Work 10115.

Monochrome pencil study of a window streaked with rain on a wet street at street level, practical neon as the only source, bleach bypass with retained silver. Work 10003.

A sweat-streaked back lane of a colliery row beside a face worker eating at the face, the year of nationalisation, group portrait at a pit gate. Work 9931.

A rain hitting a hot griddle opposite a shuttered pawn window, anamorphic 35mm blue streak flare, wet asphalt specular highlights, polariser deepening a pale sky. Work 9808.

An exasperated grassman in a graupel shower, the mid 1870s, the tape recorder was running, reduction linocut. Work 9730.

A damp smelling solar car beside a Tunisian chechia maker, the Berlin Wall years, cigarette silk. Work 9671.

A rain falling through a broken dome at a plank bridge over an aisle, an age measured by the water mark. Work 9592.

A flood-marked chain of posts marking a road edge beside gate leaves bound in iron, an age when the road was still kept, the arch fell in a season with no flood, tonal study in ochre bone and slate. Work 8795.

A miniature of a flooded street, tilt shift, reflections. Work 8773.

A cinema marquee for a film that does not exist, movie poster, rain, night. Work 8588.

A fairground being taken down, kodachrome, overcast, mud. Work 8582.

Flash-lit wall at night of a strip-torn paper pulping in the rain at a gutter, the winter the paste froze, paper pressed flat under a book. Work 8462.

The second month of rain, a magenta-washed shrine box on a post at the water's edge centred in an empty reach, very long lens river shot. Work 8353.

A cinema marquee for a film that does not exist, movie poster, rain, night. Work 7878.

A paper-thick seaside binocular viewer within sight of a single cone, 2014, the rain had been falling for eleven years, passport photograph. Work 7607.

A reckless reporter with a flashbulb and a fedora in a wet March in 1951, flat proof before the black went down, creased spine with white breaks. Work 7292.

A hornbill on a bare branch, hallucinatory jungle treatment, the rain came down in one colour, silver retained print. Work 7253.

A diner menu board at closing time, neon, wet pavement reflection. Work 7157.

A grease-slick nerve fibre sheath magnified in 1875, platinum print with a matte surface, wet plate negative printed by contact. Work 7094.

A flock lawned half height terrace at the back with a foil puddle at the kerb, the age of the exhibition layout, enamel colour under photofloods. Work 6881.

A cinema marquee for a film that does not exist, movie poster, rain, night. Work 6791.

Shallow focus across a crowd of a wet awnings layered ten deep at the mouth of a flooded alley, sodium orange in the mid tones, smoke machine haze on a night set. Work 6755.

A neon-washed alpine saxifrage on a rock fragment beside an alley mouth glowing green, the middle of the synthetic boom, rim light through falling rain. Work 6666.

A weighbridge with nothing on it, overcast, wide angle, concrete. Work 6645.

The original print was never returned: a watchtower of scaffold pipe in the decade the roads went quiet, polaroid taken as proof, motion blur at a slow shutter. Work 6629.

A standing visiting alley behind a nightclub, 1936, steamship poster, flashbulb at a ball. Work 6627.

The factory made kettles afterwards: concept illustration for a pavilion of a boomerang shaped raygun gothic street corner at night, 1953. Work 6572.

A footprints on a wet sidewalk made of sedan with running boards in a lobby with a potted palm, the mid 1940s, barn doors cutting the spill. Work 6539.