The vintage era of AI art, and its electric sheep.
The collection
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A courier riding a straight road at dawn, the long flood age, monumental emptiness on a paved road, orthochromatic plate with a deep filter.Work 10231.A woman doing a hustle turn on skates with both arms out for balance, New Year 1981, painted sign above a snack bar, instant print with a white border.Work 10145.Perspective rendering in coloured ink of a Trylon and Perisphere on the fairground and a mural of a rocket over a counter, the World of Tomorrow, offset lithography on toy tin.Work 10037.A bee-eater colony in a sandbank in old growth fir, the Polynesian voyaging years, chromolithograph with graded depth tints, chromolithograph in nine workings.Work 9619.A hooded rider halted at a tower gate near the last tower above the ice, the reign of the last keeper.Work 9616.Cyberpunk jungle airship.Work 9377.Family album page of an escalator ascending into fog, photocopy trimmed with a guillotine blade, reversal stock in heavy humidity.Work 9037.A movie poster for a western nobody made, painted illustration, dust and sun.Work 8930.A flat-tinted bicycle advert with a doubled wheel with a sticker pasted over the error, the second impression, commercial art reduced for a small advert.Work 8876.A stagecoach team running flat out under a water tower, slur from a fast rotary run, flat colour on absorbent newsprint, brittle paper cracking at the fold.Work 8846.A gliding speed skaters crouched on the line with the whole rink behind, a Saturday afternoon in 1980, home movie frame in Super 8.Work 8803.He signed it in the last quire: figures set against a patterned void of a damascened falconer on horseback for May, late 11th century.Work 8693.A boy leading a pony to water along a country lane in before the second war, rubber stamp ink on absorbent paper.Work 8680.A fairground being taken down, kodachrome, overcast, mud.Work 8582.A bay-deep drip line falling from a vault rib in an age of one drip and no other sound, magnesium flash used once in a dark bay, charcoal with a stump on laid paper.Work 8562.A horse tethered at a shrine above a shoreline of grey rocks in the Bunsei years, wiped tone across a distant hill.Work 8148.A rider leading two animals on foot and a lead walker setting a straight line, single flat colour over black line, bracketed for the haze and the stone.Work 8050.Three kings on caparisoned horses, Carolingian pen work in brown ink, the gloss argues with the text, gold leaf over raised gesso.Work 8025.Stillness treated as the whole content of a spear leaned against a root buttress in the long dry year, charcoal with bread crumb lifting.Work 7851.A camel led by a turbaned figure photographed as a sower scattering grain for October, grisaille miniature with touched colour, mosaic gold of tin and sulphur.Work 7831.A black figure on a sheet of pure white before the wind comes across the pan, the sled came back lighter than it went.Work 7045.An age measured in miles of paving, a kerb-worn road vanishing into a pale wall of mist larger than anything else in the valley, dust-lit interior of a stone passage.Work 7004.A walker leading a loaded animal and a block being lashed with wet cord, long lens compression over flat salt, print with the highlight clipped flat.Work 6937.The printer lost the yellow stone: illustrated prize list cover of a five-colour gardener mowing stripes ahead of a queue of cars, the 1931 winter season.Work 6927.Poster with a very low horizon of a pyramid flattened against a gold sky through a tunnel mouth in rock, a tear repaired from behind, paper showing through the blue.Work 6805.Nobody there owned a coat: a man in a linen suit lifting a champagne bucket in a Sunday in high summer, fisheye frame from a jet ski, gouache artwork on tinted paper.Work 6742.The year before demolition, a board marked concrete wall along an access deck, dust and scratches from the archive, rise on the front standard.Work 6565.The fair comes every October: a Ferris wheel over a state fair in the first week of October, linen finish postcard, magenta dye shift.Work 6341.The VHS years: a bleach smelling sugar refinery, culvert inspection photograph, magnesium flash powder.Work 6333.A master of foxhounds in a red coat and a rider in a black hunt coat on Bellevue Avenue, 1934, hand tinted portrait.Work 6250.