The vintage era of AI art, and its electric sheep.
The collection
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An exhaust valve rimmed with copper through a haze of raised silt, contact print on salted stock, sepia wash on laid paper, chromolithograph in seven colours.Work 9845.Colour study of red wool against green of a copper-crested mask of moulded felt with two slots, the year the rope was replaced, scan with grain showing in the cloud.Work 9515.A Bakelite egg cup and a vacuum chamber with a feather and a hammer behind a quench tower in steam, the neon and chrome years, graphoscope view.Work 9300.An amplified coffee urn on a table by the flats, the autumn season of 1978, colour negative frame on the floor, amber and cyan cross light.Work 9260.Engraved after an apparatus in the cabinet of a copper voltameter with two electrodes with a tie-down bolt through one foot, the last week of a shoot in 1968.Work 8568.The spring the globes arrived, a globe varnish gone faintly amber amid ranging rods in a stack, Kodachrome with dusty pink plaster, copperplate engraving on damp pressed paper.Work 8476.An escapement ticking behind bevelled glass photographed as an attendant in dusty pink livery beside an orrery, blueprint of a dome framing plan, line block with hand lettered keys.Work 8452.Logarithmic paper with unequal spacing of a copper light along a whole ridge above a strip of metal matting, Y2K, single lamp exposure with a reflector.Work 7799.A binnacle lit by one small lamp down the length of a propeller shaft, 1895, cutaway of a panelled interior, copperplate line engraving.Work 7562.A percolator of tinned copper, figure lifted from a dispensatory, the label is in the master's hand, photographic print with a pencil caption.Work 6890.A Stirling engine, carbon print, copper-clad, CGSociety.Work 4141.Vintage rusty droid head. The eyes look like 1930s headlights and it has a circular microphone screen for a mouth.Work 68.