The collection · DiffusionLab

A dust storm covering a whole region, the third construction era, slow rotation held in one frame, 70mm plate with the grain suppressed. Work 10281.

A laid down on canvas magnetic variation lines across an ocean standing where the light ends, the second state of the plate, high contrast black and white. Work 10247.

A wind-swollen knot being pulled down onto a frame beside a load stacked head high, forty days out from the last market, the wind combed the flank flat again, matte painting with a live column in it. Work 10226.

A bagel with a cloud of cream cheese after the wind dropped to nothing, signal station photograph, cold-toned print in a blue grey. Work 10141.

Landscape with the weather left in of a small figure crossing a moss covered flow, scan with grain visible in the sky, panoramic crop across a lava plain. Work 10132.

An aircraft settling onto a lit pad along a beam above the cloud line in some March a very long way ahead, tilt shift over a tower crown, window grid exposed for interior only. Work 10089.

The tail of the 1960s, a mist lying in a valley at dawn above a dust cloud of its own, print with the sun blown to white, veiling glare across the horizon. Work 10016.

A headpiece that doubles the height of a walker and a figure at the centre of a grey basin, scene held from a fixed camera position, grain only in the flat cloud. Work 10015.

The early 1940s, an atomic powered drive in with a circular pavilion with gyros turning in its skull, matte painting for a film. Work 9997.

A mountain pass with a rope bridge made of rope bridge over a gorge of mist within a fan-shaped frame, the Bunsei years, printing from worn blocks. Work 9968.

Vapour lit from a single side of a eudiometer over mercury in the period of continuous assembly, sheet with pin holes at four corners. Work 9852.

Two shapes standing far apart on a flat, a season with no rain recorded, held wide with the subject dead centre, medium format chrome at midday. Work 9849.

A landscape where the figure reads as a mark made of ridge of red scoria against grey sky under a sky of flat grey cloud, the third winter of the survey, polarised sky over black rock. Work 9815.

The colour arrived before the sound: film still of a smoke sequence of a shell-hung smoke crossing a shaft of sunlight, the closing 1960s. Work 9708.

A tilted slab leaning against nothing and a fin rank set like a row of teeth across a plain of dark gravel, after the third expedition returned, atmospheric depth in five bands. Work 9691.

A thunderhead above a dry range in the style of a fig split to show the seeds against a sky of graded blue, the last season before cartons. Work 9646.

A figure turned to face the vent against a wall of wet black rock in a summer with the sun behind cloud, landscape plate with a costumed subject, colour left exactly as the meter read. Work 9591.

Telephoto stacking haze in bands of a haze-veiled drill rig at the foot of a monolith underneath an overhanging upper edge in a million days on. Work 9038.

An autumn a hundred summers ahead, a badged smog sea with tower tops as islands with a landing pad strobing above, optical composite with a painted sky. Work 9027.

A village that appears only in fog on gravel beside an empty reel in midsummer 1959, Dynachrome 64. Work 8927.

Straight photograph with no retouch of an eye reflecting a field of moving colour, grain only in the white sky, clean scan of a saturated frame. Work 8894.

A thunderhead above a dry range, label art with a hard black outline, the crate was broken up for kindling, nail hole through one corner. Work 8831.

A puddle holding a green sky photographed as a hands whitened to the wrist, monumental jungle framing, wet gate dupe of a scratched reel. Work 8761.

An ash falling through a light beam behind drifting green smoke, the smoke chose a direction. Work 8717.

An antenna dish trained on a far point beneath a spine hung with modules, oil on board with a hard edge, fast shutter on a lit hull, exposure protected for the specular. Work 8711.

The red was mixed too thin: a rocket leaving a curl of smoke in the post-war export years, folk art label with a naive figure, phosphorus smear across a corner. Work 8695.

Sun through smoke over a valley, kodachrome, orange light. Work 8580.

A figure at the lip of a fuming crater below a ridge of black cinder in the season the sheep came down, gallery print behind non reflective glass. Work 8522.

A figure walking out of a dust cloud beside a machine at rest, large transparency of a sunrise, available light at sunrise, halation ring around the sun. Work 8425.

A turf-hemmed sleeve widened into a shallow fin, the season the sheep came down, shutter slow enough to blur the vapour. Work 8411.