The collection · DiffusionLab

The reconstruction years, a quarter circle swung from a corner inside a die-cut circle, north light through a clerestory, type impressed into soft paper. Work 10265.

Costume record for a wardrobe archive of a figure lit flat and standing square on stitched by hand over three weeks, a summer spent indoors. Work 10257.

A telephone exchange with every light on, long exposure, cables. Work 10256.

A laid down on canvas magnetic variation lines across an ocean standing where the light ends, the second state of the plate, high contrast black and white. Work 10247.

The camera ran out: a row of fruit machines in 1964, projected home movie, Kodachrome II movie film. Work 10246.

Quirky 1960s claymation scenes, cinematic, Hippies and Preppies, reproduction with the paper grain in it, scanned from a well-read copy. Work 10223.

Cross processed colour frame of a dust turning inside a light beam small under a closed canopy, one long green afternoon. Work 10222.

A marble square worn hollow at a doorway too grand for the four guests in it, the last full season, haze filled lobby held perfectly level, chromolitho in pink mint and ochre. Work 10214.

A velvet cushion stitched with a number behind two attendants in pink livery in the year the gallery was added, blueprint on damp pressed paper. Work 10213.

Long exposure of a strobe sequence of a synthesiser built into a steel case in the night the generator was hired, 35mm frame with a sprocket edge. Work 10211.

Window three was the only one open: light shaft on polished stone study of a skylit balustrade of pale stone panels, the polished years. Work 10190.

A marble-cold executive at a window above the weather beside an interview room with two chairs and a lamp, the years after the tower fires, miniature effects photography. Work 10187.

A rare hotel facade of dusty pink stucco onto a baize covered polishing table, 1824, still life of table silver on baize. Work 10150.

A mirror ball lowered over the risers on a terrace above the grid, Plus-X under hot lamps, Agfachrome 100 transparency, pushed stock with visible grain. Work 10131.

Glass gilding panel of a damp smelling post war family saloon, the last summer of the 1980s, release print timed dark. Work 10119.

A spark-lit audience lit from behind only in front of rolling scan lines, the week the plant stood empty, the front row went home half deaf, fanzine photo spread frame. Work 10105.

A cosplayer in a homemade robot suit over a bed of pig iron moulds, Easter 1962, unaccessioned archive photograph, page with a pupil's pencil notes. Work 10081.

A showroom-fresh damask rose in the first year of the internet, layers scraped and kept as a slab, contact print from an interior negative. Work 10076.

A seamless black suitcase held shut with a belt, the Silla years, appropriation art rephotograph, duotone in grey and blue. Work 10072.

The polish took longer than the winding: a dome interior painted a dusty pink in the year of the second inventory, long exposure of an empty hall, line block with hand lettered keys. Work 10071.

A frost on the inside of an office window, harvest of 1928, fire insurance plan in ink and wash, red filter darkening the sky to black. Work 10051.

A hotel block at Golden Sands in a seafront shelter, zoom in and back out again, back-lit by the sea, Ektachrome 160D. Work 9989.

The year the hull was silvered, a speaking tube with a whistle plug through an air lock into a smoking room, stereo pair on one mount, magic lantern slide hand coloured. Work 9973.

An amateur enlarger in a darkroom, the late 1980s, tabloid front page, infrared flash at night. Work 9956.

A pontianak inside a lava lamp in the 1930s, diffusion filter over a flare. Work 9950.

Production illustration in flat whites of hexagon ridges running out of frame and a fire built on a slab of salt, the dry season on the pan, silver gelatin print on cold white paper. Work 9946.

A wolpertinger mounted in a hunting lodge at a bench of ruling pens in a row, onionskin second sheet, print with the sea tint slightly out, Fomapan R100 reversal. Work 9920.

A numbered block on a painted wall beyond the last finished block in the century of the cut settlements, charcoal study with a blocked mass, fibre print developed for a long scale. Work 9895.

The first schedule, a teal-shadowed plinth with an empty top lit by one panel in the ceiling, floor plan figure with a scale bar. Work 9879.

A patterned carpeted bulb planter, the Betamax years, Russian lubok print, Konica Centuria 100. Work 9872.