The vintage era of AI art, and its electric sheep.
The collection
All 1375 keywords
Streamline poster with speed lines of an airbrushed bill poster with a brush and bucket inside a booking hall in the coronation summer.Work 10295.Quirky 1960s constructivist deco, retro tech, Project film, print with a retouched background. damaged film, film grain.Work 10293.A man in a linen suit lounging on a white bow among rows of numbered lamps, summer 1985.Work 10258.A launch gantry with a swing arm at a service station forecourt, the space race, Frank R. Paul style cover painting, coloured gel on the background.Work 10224.Quirky 1960s claymation scenes, cinematic, Hippies and Preppies, reproduction with the paper grain in it, scanned from a well-read copy.Work 10223.A fourth-generation hand-numbered tape out of fifty between two seated stone figures, the age of the stone cutters, crude one colour print on thin paper.Work 10193.A lorry driver eating at a truck stop along a rope walk, the early 1870s.Work 10184.Quirky 1960s claymation, creatures, Project film, print with a retouched background. damaged film, film grain.Work 10183.The Taisho years: a cormorant fishing by torchlight inside a circular medallion, flat colour inside a firm outline, woodgrain showing through the sky.Work 10169.A rare hotel facade of dusty pink stucco onto a baize covered polishing table, 1824, still life of table silver on baize.Work 10150.A window slit throwing a bar on the water before a bank of five turnstiles, an age remembered by a lime line.Work 10120.A skeleton articulated on a brass rod, 1822, group of curators facing the lens, letterpress figure with a caption below.Work 10095.A cosplayer in a homemade robot suit over a bed of pig iron moulds, Easter 1962, unaccessioned archive photograph, page with a pupil's pencil notes.Work 10081.A seamless black suitcase held shut with a belt, the Silla years, appropriation art rephotograph, duotone in grey and blue.Work 10072.Flat stencil print with no blending of a currency sign in nine flat colourways, screenprint on heavy white board, pencil registration marks left on.Work 10042.A bureaucratic note left on a kitchen table, the mid 1970s, available light night frame, Eastmancolor faded to magenta.Work 10040.A crate-nailed plasticine maquette on a modelling stand, eighteen months of animation, wire removal done badly in the optical, tape dub with a soft picture.Work 10018.Quirky 1960s claymation scenes, cinematic, Hippies and Preppies, reproduction with the paper grain in it, scanned from a well-read copy.Work 9992.A hotel block at Golden Sands in a seafront shelter, zoom in and back out again, back-lit by the sea, Ektachrome 160D.Work 9989.A faintly amused locust swarm behind a row of dark trees, the Gupta period, medical teaching lantern slide.Work 9976.Quirky 1960s constructivist country club, retro tech, Project film, print with a retouched background. damaged film, film grain.Work 9974.Group portrait on a clipped lawn of a duty free counter with perfume testers in the package tour years, Kodak Ektachrome E-4.Work 9930.A wolpertinger mounted in a hunting lodge at a bench of ruling pens in a row, onionskin second sheet, print with the sea tint slightly out, Fomapan R100 reversal.Work 9920.A Streamline Moderne diner and a RAM stick, test shot for a catalogue, VHS head switching noise.Work 9912.A crazy paved hayrick giant over a printed pattern of even dots, the age of the penny farthing, flea market stall photograph.Work 9909.A numbered block on a painted wall beyond the last finished block in the century of the cut settlements, charcoal study with a blocked mass, fibre print developed for a long scale.Work 9895.A thermally-cycled sleeping station with a curtain beside an umbilical joining a ship to a station, the age of the long orbits, concept illustration in cold greys.Work 9865.A brittle whiteout with no horizon at all in 1916, gaslight paper print, whole plate glass negative.Work 9842.The line never stopped for anyone: a twin figures either side of a press in the third week of a shutdown, flat graphic figure in black, print spotted out with process white.Work 9821.A cameraman's face in flat blue grey under a tin roof over a rum counter, the week the pink ink arrived.Work 9793.