The collection · DiffusionLab

A manufactured subject walking a marked corridor at the end of a white corridor, the era of the numbered face, carriage livery illustration. Work 10282.

Saddle between two peaks in a mosque courtyard, the spring of 1958, abattoir inspection photograph, hand-tinted in two soft washes. Work 10260.

A marble square worn hollow at a doorway too grand for the four guests in it, the last full season, haze filled lobby held perfectly level, chromolitho in pink mint and ochre. Work 10214.

A Shanghai ballroom with a sprung floor in a bus station forecourt, trawl rigging diagram, varnished poster stock. Work 10161.

A spark-lit audience lit from behind only in front of rolling scan lines, the week the plant stood empty, the front row went home half deaf, fanzine photo spread frame. Work 10105.

The polish took longer than the winding: a dome interior painted a dusty pink in the year of the second inventory, long exposure of an empty hall, line block with hand lettered keys. Work 10071.

An escalator ribbon inside a glass flank along a corridor of identical doors, monolithic forms in flat light, sepia warmth in the highlights. Work 9866.

Copperplate figure of an armillary of a blower duct under a dome floor, sheet film interior exposure, points of light slightly out of round. Work 9837.

A scallop-canopied fireplace of pale veined marble with a folded cloth over one arm, 1902, the manager stood where he always stood, centred lobby interior plate. Work 9835.

A crocketed gable above a saint in the hall of a red brick villa, the light is wrong after noon. Work 9829.

Aerial perspective fading to pale grey of a shadow-vaulted turf maze, Christmas 1947, a colour print left in a sunny window. Work 9802.

Geometric interior rendering of a floodlit from below crew member wiping a gloss white surface past an alcove lit cyan in the age of the lit floor. Work 9801.

A silver polished on a baize covered table in the style of a row of five porters facing the lens across a lobby far too large for one guest, the season before the survey. Work 9784.

A sodium-lit sodium lamp left on above the stage across a turbine hall floor, the night after the roof let in rain, deadpan documentary portrait. Work 9742.

A Babylonian gate of blue glazed brick in a room with two chairs and one lamp, Easter 1953. Work 9725.

A revolving stage with a long ramp in a hall of open steelwork, the 1925 exposition year. Work 9709.

Vidicon tube image with smear of a disused turbine hall as a venue in the spring of 1984, line converted photostat. Work 9689.

A shaft of sun standing in a gallery inside a corridor with a bright end, dream sequence stone still, long lens stacking the towers. Work 9643.

A rain falling through a broken dome at a plank bridge over an aisle, an age measured by the water mark. Work 9592.

A fortnight without a signal: a buttress root taller than a person across a page split on the diagonal, woodcut poster with a coarse grain, rotary press printing with a slur. Work 9553.

A carpet runner centred down a steel deck, 1875, side light raking a wall of rivets, process colour from three plates. Work 9541.

A hall ceiling far above the tables under a roller map pulled down, the summer of the great triangulation, gouache elevation of a panelled wall, one lamp raking across a chart. Work 9537.

An orchestra pit before the audience arrives, long exposure, warm light. Work 9498.

A stair rising out of the water to a door beneath a coffered ceiling reflected whole in the long wet age, photogravure with a deep vault black. Work 9442.

Corridor lamp every twenty paces at a numbered hatch in a plinth in the second programme, still frame from a slow tracking shot, cross processed to a teal shadow. Work 9429.

A telescope on a tripod facing a port in a grand salon under a single lamp, the winter of the deep station, sectional view of a pressure hull, tintype with a deep black ground. Work 9427.

Deep focus lobby with one small figure of a funicular carriage at a lower station, grain in the shadow under a stair, Ektachrome gone warm under lobby lamps. Work 9424.

A wainscot painted a faded oxblood, 1828, symmetrical map room interior, wood engraved figure with a caption. Work 9395.

A brass turnstile at a hall entrance round a mahogany column of brass rings in 1824, frontal cabinet elevation, silver gelatin print on matt paper. Work 9331.

Deadpan interior portrait of a brass-plated figure standing inside a ring of white tubes beside a corral rail in the third rotation season. Work 9296.