The vintage era of AI art, and its electric sheep.
The collection
All 1375 keywords
A water carried in from the shore after the brine dried to a film, one blazing afternoon among hundreds.Work 10252.A lighthouse on a clear day, kodachrome, saturated, hard shadows.Work 9873.A tilted slab leaning against nothing and a fin rank set like a row of teeth across a plain of dark gravel, after the third expedition returned, atmospheric depth in five bands.Work 9691.A rock-set dust-banked dust pooling against a flat face, the age with no answer in it, near monochrome with one warm ground, halation glowing round a bright edge.Work 9491.A beacon tower on a bare granite shoulder at the mouth of a high pass in the age before the relief was cut, polariser cutting the white sky.Work 9438.A threshold cut level with the ground older than the rock it stands in, after the third expedition returned, shadow side rendered almost black, exposure held for the sky alone.Work 8924.A settlement seen whole from the far rim outside a settlement cut into rock, after the rock ran out.Work 8854.A rocky islet crowned with pines in the style of a hare running across the waves among flowering plum branches, 1831.Work 8529.Survey photograph with a figure for scale of a slope banded in ochre and black over ground warm enough to feel, chrome stock with the contrast left high, colour negative with dense greens.Work 7790.A 1936 reprint: a lighthouse on a rocky point in front of a dresser of blue plates, nursery frieze manner in flat colour, watercolour wash over ink on cartridge.Work 7545.A goad held level like a surveyor rod near a cairn with a rag on it, frame built on one long diagonal crest, collodion negative with a swirled edge.Work 7221.Two days of calm wind, a lichen mapping a boulder in pale green across a plain of deep moss, transparency projected in a dark room, contact print made the same week.Work 6882.A lighthouse on a clear day, kodachrome, saturated, hard shadows.Work 5850.A gift from the sea: a cave lit by a single torch in an Andean village, glass plate negative.Work 5567.A slag heap, cinematic, concept art.Work 5268.A mediterranean tattered lava tube, Vivian Maier self portrait, the appeal was denied, over the shoulder.Work 5240.A lighthouse on a clear day, kodachrome, saturated, hard shadows.Work 4278.A compass that points at the moon, Ivar Arosenius watercolour, seaside-rock pink, bank holiday drizzle.Work 4160.A fossil hunter splitting a rock, SMPTE colour bars, shatterproof, two point perspective.Work 3967.A pupating siberian cliff collapsing into the sea, mineralogy plate, walk do not run, raw photo.Work 3616.An ocean standing on its end, Salvator Rosa wild landscape, isolated, felt texture.Work 3243.A lighthouse on a clear day, kodachrome, saturated, hard shadows.Work 2160.Two roads that do not meet: a beach pebble with a hole in 1970s Glasgow, CRT scanlines.Work 1991.An office cleaner in the style of a rock pool at the moment the tide turns, fire damaged print.Work 1968.A string bag made of landslide across a road, burmese, Gandhara Buddha, overdeveloped.Work 1897.A Riva runabout, national park sign, depression-era, sea mist glow.Work 1761.Photography of a giant alien monument, bio-mechanical, fresco, kodachrome, 35mm.Work 1553.A foundation stone and a fresnel lens from a lighthouse in a squall, oil on masonite.Work 1525.A siren on a rock made of pancake stack, ming dynasty, Nikolai Astrup landscape, chequered light.Work 1484.A schist outcrop in the style of a hat check counter, molten steel glow.Work 1409.