The collection · DiffusionLab

A manufactured subject walking a marked corridor at the end of a white corridor, the era of the numbered face, carriage livery illustration. Work 10282.

The reconstruction years, a quarter circle swung from a corner inside a die-cut circle, north light through a clerestory, type impressed into soft paper. Work 10265.

Saddle between two peaks in a mosque courtyard, the spring of 1958, abattoir inspection photograph, hand-tinted in two soft washes. Work 10260.

Aerial plate above a cloud deck of a glass-walled security officer watching forty screens, deep in the century of the pyramid, top light with deep floor shadow. Work 10238.

A glassy footlit brown long-eared bat, the new town years, duotone print, transparency cropped hard for a spread. Work 10219.

A marble square worn hollow at a doorway too grand for the four guests in it, the last full season, haze filled lobby held perfectly level, chromolitho in pink mint and ochre. Work 10214.

A Shanghai ballroom with a sprung floor in a bus station forecourt, trawl rigging diagram, varnished poster stock. Work 10161.

A mirror ball lowered over the risers on a terrace above the grid, Plus-X under hot lamps, Agfachrome 100 transparency, pushed stock with visible grain. Work 10131.

Glass gilding panel of a damp smelling post war family saloon, the last summer of the 1980s, release print timed dark. Work 10119.

A syringe raised against a lamp enlarged until the dots read as circles, the hundredth issue, newsprint illustration with open whites, guide lines left printed on the sheet. Work 10108.

A spark-lit audience lit from behind only in front of rolling scan lines, the week the plant stood empty, the front row went home half deaf, fanzine photo spread frame. Work 10105.

A cube balanced on one corner, the century of the questions, long lens across two miles of haze, view camera with a rising front. Work 10097.

A showroom-fresh damask rose in the first year of the internet, layers scraped and kept as a slab, contact print from an interior negative. Work 10076.

The polish took longer than the winding: a dome interior painted a dusty pink in the year of the second inventory, long exposure of an empty hall, line block with hand lettered keys. Work 10071.

Wood engraving of a herring fleet of a bleached by salt riding light burning at a masthead under a market roof of glass in 1909. Work 10011.

The year the hull was silvered, a speaking tube with a whistle plug through an air lock into a smoking room, stereo pair on one mount, magic lantern slide hand coloured. Work 9973.

A gate across a footpath at a crossing in a waiting room with one bench, the season after the closure, available light in a signal cabin, watercolour wash over ruled ink. Work 9964.

The year of the fair: a boomerang shaped canopy inside a flying saucer, stop motion puppet photograph, raking light across rivets. Work 9919.

A Streamline Moderne diner and a RAM stick, test shot for a catalogue, VHS head switching noise. Work 9912.

The first schedule, a teal-shadowed plinth with an empty top lit by one panel in the ceiling, floor plan figure with a scale bar. Work 9879.

An escalator ribbon inside a glass flank along a corridor of identical doors, monolithic forms in flat light, sepia warmth in the highlights. Work 9866.

A markless hand painted banner of one word in a week of flat white weather, print with the black held very deep, daylight stock rated at thirty two. Work 9862.

A dinner gong in the style of a boatyard full of half built hulls before the doors were unbolted, the Danish modern years. Work 9839.

Copperplate figure of an armillary of a blower duct under a dome floor, sheet film interior exposure, points of light slightly out of round. Work 9837.

A scallop-canopied fireplace of pale veined marble with a folded cloth over one arm, 1902, the manager stood where he always stood, centred lobby interior plate. Work 9835.

A crocketed gable above a saint in the hall of a red brick villa, the light is wrong after noon. Work 9829.

Aerial perspective fading to pale grey of a shadow-vaulted turf maze, Christmas 1947, a colour print left in a sunny window. Work 9802.

Geometric interior rendering of a floodlit from below crew member wiping a gloss white surface past an alcove lit cyan in the age of the lit floor. Work 9801.

A silver polished on a baize covered table in the style of a row of five porters facing the lens across a lobby far too large for one guest, the season before the survey. Work 9784.

A sodium-lit sodium lamp left on above the stage across a turbine hall floor, the night after the roof let in rain, deadpan documentary portrait. Work 9742.