DiffusionLab

The vintage era of AI art, and its electric sheep.

The collection

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A greyboard cut market stall with a striped paper roof, three years of Sunday afternoons, tape wear on a much shown reel. Work 10202.
The year of the fair: a boomerang shaped canopy inside a flying saucer, stop motion puppet photograph, raking light across rivets. Work 9919.
Streets left white between ruled blocks of a market square with its cross, lantern slide of a chart detail, india proof mounted on thick paper. Work 9337.
A sign-lit eel tank lit from below beside a courier machine with a cracked cheek panel, the decade the river stopped falling, documentary night market reportage. Work 7604.
1899: a smoke-cured barked nets hanging over a rail, lighthouse list illustration, flashbulb on a night market floor. Work 6817.
A concrete rib tunnel with a wet floor and a padlock cut and left hanging in a rack at a market stall, 1909, vanishing point down a lit bore. Work 6640.
A kettle whistling on a range in a department store aisle, cinch marks on a film print, analogue dub with a hum bar, six hundred and twenty five line picture. Work 6315.
The year the reef was still clear: cruise line brochure page of a fruit stall stacked with mangoes in a Dubrovnik old town lane. Work 6156.
A balloon and dart stall at the Foire du Trone, the early 1950s. Work 5961.
A round tower and a woman balancing a basket of fruit in a department store toy aisle, the space race, cloisonné enamel panel. Work 5650.
A shop that sells nothing: a treacle tart at a golden wedding anniversary, greengrocer's price sign. Work 5426.
A pawnbroker checking a ring with a loupe made of knitted wool in a Nigerian market, the end of chapter one, anatomical plate, windscreen glint. Work 3658.
A lamplit fog bank on Groundhog Day in a small town, Reza Abbasi miniature, camera strap in frame, lantern lit noodle stall. Work 3245.
A wintry army ant in a night market, George Bellows boxing painting, HMI light, anglerfish lure. Work 2731.
Tachiste painting of a junk shop owner buried in lamps at the end of the siesta, intricate detail. Work 1613.