The vintage era of AI art, and its electric sheep.
The collection
All 1375 keywords
1824: a champagne-lit branch of quince with two fruits, fashion plate shot at three in the morning, register out by a hair.Work 10283.Sugar sculpture of a bristlemouth in the Prague Spring, duplicate negative one generation down.Work 9969.Pencil sleeve rough on tracing paper of a woman in a marble bath holding a telephone asking for the whole trolley again, the last gatefold season.Work 9657.Ring flash beauty photograph in whites of a woman in a gown sitting on the arm of a chair beside a wheel with a crowd around it, work print cropped to the hands.Work 9469.Interiors feature in full colour of a woman in a beaded gown adjusting one strap in the season at the hotel, cover proof with the title over gilt.Work 9086.She closed the place down: mirror etched with a dancer of a roaring host in a white dinner jacket working the room, the year the floor was rebuilt.Work 8792.A wide-shouldered pleated costume held together with visible stitches, some time after the last collection, colour transparency of a single look, emulsion that reads pink in the shadows.Work 8682.A woman at the wheel with her eyes shut, the last night of the season, jewellery advertisement under a chandelier, print spotted out along the rail.Work 8575.Still life of table silver on baize of a woman in a pleated gown by a mirrored column through a shaft of sun on bevelled glass, colour transparency of mint and brass.Work 8554.A figure in a hood of woven horsehair and two figures in matching sculptural gowns, colour study of texture and volume, green held true through the whole frame.Work 8270.A correction lifted out with tweezers photographed as a figure in a gown ribbed like a seed capsule, typographic specimen spread, handbill on thin newsprint.Work 8256.January 1986: gouache presentation illustration of a woman in a cocktail dress on a chrome bumper beside a rank of keys on hooks.Work 8240.The Whitlam years, a glossy-lipped woman in a gown walking off mid-shoe with a compass rose in the bay, centred wide angle on a tripod.Work 8076.The long blue part of the evening: flat lit study against deep black of a costume stitched from packaging film at the centre of a black cyclorama.Work 7980.A bone white branch planted upright in sand, costume study of a wind filled garment, the robe was the only thing that moved, anamorphic negative with a flared edge.Work 7782.The jazz age, a woman in a bias cut gown on a landing in a bus station forecourt, deep focus on a view camera, hard tropical sun and black shade.Work 5997.1936: a debutante in a white gown at Le Jardin, yacht club regatta photograph, halftone from a magazine page.Work 5878.Award winning xray of Victorian-era ball gown with a voluminous skirt, 8k post-processing highly detailed, esty.Work 5721.A regency carrack in every colour, black and white photograph, music video lighting.Work 5439.A formerly famous crenellated vampire squid, paper doll, the epilogue, Fomapan 400.Work 5296.A renaissance portrait of a swan as a bride, oil on canvas, pearls.Work 4482.A renaissance portrait of an owl in judicial robes, oil on panel, dark ground.Work 4453.A renaissance portrait of an owl in judicial robes, oil on panel, dark ground.Work 4440.An evacuee with a label, khayamiya tentmaker applique, veiled, smog sunset.Work 4437.An unreadable epitaph: a fireworks display that went wrong as the bride walks in, Mstyora lacquer miniature.Work 3931.A sedan chair, paper doll, foxed, ink black.Work 3432.A lecturer who has lost his notes, Spanish polychrome saint, cobwebbed, S curve.Work 3356.A vestal virgin tending a flame made of dust storm arriving at a town, headless, circus poster, lossless.Work 3240.Award winning poster of Victorian-era ball gown with a voluminous skirt, macro photography, shallow depth of field.Work 3008.Award winning xray of Victorian-era ball gown with a voluminous skirt, acrylic on canvas, misregistration.Work 2900.