The collection

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A running order taped to the proscenium beside a well of painted tins, the week of the village pageant, cross fade between two stage pictures, quadruplex banding across the picture. Work 10274.
A spark-lit audience lit from behind only in front of rolling scan lines, the week the plant stood empty, the front row went home half deaf, fanzine photo spread frame. Work 10105.
A revolving stage with a long ramp in a hall of open steelwork, the 1925 exposition year. Work 9709.
An orchestra pit before the audience arrives, long exposure, warm light. Work 9498.
Dome rollers on a circular track in a mirror cell, lantern slide for a public lecture, fiducial marks in the corners. Work 7918.
An auditorium of two thousand seats as the low sun clears the setback, the founding decade of the upper city, layered depth through smog, clean optics with minimal flare. Work 7795.
A narrated concentric rows of seats under a dome, 1956, copperplate figure of an armillary, star images spread by movement. Work 7175.
A stage floor painted to look like grass and a slot in the stage floor for a rod, continuity jump between two takes, red bleeding past a scarlet coat. Work 7112.
The post war years, a lecture theatre with raked seating on a Brasilia esplanade, fill flash in a dark lobby, north light through a clerestory. Work 6530.
A model theatre with the curtain half raised, tungsten light. Work 5301.
An audience applauding in the dark, stage lighting, silhouettes. Work 4972.
An electric ray, theatre set model, ecclesiastical, haze. Work 4902.
A projection booth between showings, warm light, reels, dust. Work 4750.
A model theatre with the curtain half raised, tungsten light. Work 4569.
A prawn pink packed amulet, cinema verite, department of lost weather, fruit machine lights. Work 3533.
Turkmen carpet of a steam vent in a lecture theatre, pastel dust. Work 3288.
A dinner lady's hatch made of monkey monster, airline-issue, aeronautical chart, spotlit empty stage. Work 3120.