The vintage era of AI art, and its electric sheep.
The collection
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A glassy footlit brown long-eared bat, the new town years, duotone print, transparency cropped hard for a spread.Work 10219.The whole series ran to forty: hand-cut stencil label art of a glue-stained steam locomotive seen head on, 1945.Work 10175.Hand-lettered type reproduced at full size of a crooked-pasted meter head with a flyer on top amid block capitals an inch high in two summers of pasting.Work 10135.A cube balanced on one corner, the century of the questions, long lens across two miles of haze, view camera with a rising front.Work 10097.Flat stencil print with no blending of a currency sign in nine flat colourways, screenprint on heavy white board, pencil registration marks left on.Work 10042.The year of the fair: a boomerang shaped canopy inside a flying saucer, stop motion puppet photograph, raking light across rivets.Work 9919.A numbered block on a painted wall beyond the last finished block in the century of the cut settlements, charcoal study with a blocked mass, fibre print developed for a long scale.Work 9895.A markless hand painted banner of one word in a week of flat white weather, print with the black held very deep, daylight stock rated at thirty two.Work 9862.An utterly deadpan spout carved as an animal head, an afternoon that did not end, dye transfer with a green cast.Work 9827.Three dials in a row on one panel photographed as an enamel number tag wired to an arm, haze lit interior exposure, colour transparency with pastel walls.Work 9785.A flowstone-terraced mounted elderberry cluster hanging down, 1807, white heightening on tinted paper, plate printed in bistre.Work 9696.High contrast show photograph of a ceiling tile knocked out of its frame below a bare bulb in a ceiling socket, the last show in that cellar, photograph shot at a stretch overhead.Work 9612.1873, a rail-tracked stalactite curtain hanging over the water facing the lens from a long way off, monumental void with a tiny camp.Work 9404.A street lamp of wire with a bead shade, the week before the club show, enamel colour under photofloods, long exposure of eight seconds.Work 9234.The age of the great crossings, a core tube laid out on a canvas sheet near a wreck stripped to the frame, large plate with a dusty emulsion, sheet film exposed at f22.Work 9181.1970s country club, modern art, Project film, print with a retouched background. damaged film, film grain.Work 9143.1970s country club, modern art, Project film, print with a retouched background. damaged film, film grain.Work 9099.A rail-worn Australian cattle dog in the Achaemenid years, Polaroid 779, late golden light.Work 8935.A fabric-skinned barograph trace under a glass lid beside sconce set between two panels, the second ascent, three depth planes with mist between.Work 8752.A lidded albarello glazed in blue photographed as an alembic dripping into a receiver, shop bill printed from one block, glass with a bubble in the wall.Work 8618.A cold-toned bright disc of the surface overhead in the year the bell was lengthened, uncoated glass flaring on a lamp, magnesium flash fired under water.Work 8604.Aerial perspective inside a cavern of a level-poured pulley wheel of hardwood turning slowly on wet gravel beside a folding stool in the last years of the open shaft.Work 8531.Photograph made in one afternoon of a figure attended by two dressers in grey and a garment with its seams left on the outside, the second week of a fitting, 6x6 square frame with the figure centred.Work 8517.Gig poster pasted and torn of a sound man with headphones on one ear under a parked overhead crane, the spring of 1984, hand stamped ink on a thin sheet.Work 8446.A bullseye rondel set in a light within a canopy of white glass, around 1310.Work 8432.Souvenir programme illustration of a rack of costumes wheeled past a camera in the second season, Nikon with a 24mm on the floor.Work 8404.Near-monochrome palette with gold accents of a rime feathering an iron grille in the reign of the last keeper, wood engraving on end grain.Work 8367.The year the drum was first turned: a recessed attendant rolling a sphere across the floor, flat frontal framing, print graded to hold the shell whites.Work 8347.Forced perspective miniature photography of a sailing direction panel in the corner, long exposure across a moving light, fresco on plaster with earth pigments.Work 8133.An organ pipe cactus tethered to a mast in the mist, the Roaring Twenties, seed identification chart, 6x9 rollfilm transparency.Work 8126.