The vintage era of AI art, and its electric sheep.
The collection
All 1375 keywords
A coal burning trawler with a tall funnel up a harbour on a rising tide, the herring season, pen study of a net mender, grey scale with no white in it.Work 10297.Epic landscape film still on large format of a cicada on a wet leaf answered from a summit far off, an age before the roads were named.Work 10269.A whip stitched half height cottage at the back of the stage, the autumn term of 1971, archive transfer with the head splice kept.Work 10263.A man in a linen suit lounging on a white bow among rows of numbered lamps, summer 1985.Work 10258.A launch gantry with a swing arm at a service station forecourt, the space race, Frank R. Paul style cover painting, coloured gel on the background.Work 10224.Microfiche frame of a Knysna turaco, fogged edge, base fog.Work 10215.A matchstick braced poster painted clay duck squashed slightly flat on one side, the summer holidays of 1968, tabletop puppet film in colour, print struck for a school hire library.Work 10199.A fourth-generation hand-numbered tape out of fifty between two seated stone figures, the age of the stone cutters, crude one colour print on thin paper.Work 10193.A lorry driver eating at a truck stop along a rope walk, the early 1870s.Work 10184.A vallenato singer inside a matryoshka doll in the Roman Republic, tenmoku glazed bowl, chromolithograph on a thick board.Work 10170.The Taisho years: a cormorant fishing by torchlight inside a circular medallion, flat colour inside a firm outline, woodgrain showing through the sky.Work 10169.The ferry stopped when the bank fell: ehon illustrated book page of a pine-shaded woman with a fan half open, the Tenpo years.Work 10167.The early 1920s: stylised sunburst behind a peak of a lemon cut across the segments on a rocky coastal point.Work 10155.A bus stop on a coast road, kodachrome, wind, salt.Work 10153.A rare hotel facade of dusty pink stucco onto a baize covered polishing table, 1824, still life of table silver on baize.Work 10150.A macerated bottle marked POISON in relief glass beside a bell-metal mortar on a block, the last century of the leech, tin glaze crazed across the letters.Work 10140.A salt-white kettle boiling brine to nothing black against everything around it, the century of the block sled, silhouette treatment against white glare.Work 10124.A switchboard of marble and brass and a clock with a second dial for depth near a switchboard of marble and brass, 1887, engraved plate reprinted in colour.Work 10122.A window slit throwing a bar on the water before a bank of five turnstiles, an age remembered by a lime line.Work 10120.Glass gilding panel of a damp smelling post war family saloon, the last summer of the 1980s, release print timed dark.Work 10119.A cosplayer in a homemade robot suit over a bed of pig iron moulds, Easter 1962, unaccessioned archive photograph, page with a pupil's pencil notes.Work 10081.Backlit party against a paler haze of a sight glass with a red float inside and a sleepers laid on a pale beach, the year the lamps were fitted, brass lens with a soft edge.Work 10074.A seamless black suitcase held shut with a belt, the Silla years, appropriation art rephotograph, duotone in grey and blue.Work 10072.Printed label with a pestle device of a stoneware syrup jar with a label under the shadow of a hanging bunch, 1726, chalk rubbed into a rough tooth.Work 10067.The hottest month of a bad year: tonal study in copper and bone of a shell of a shelter open to the sky beyond the edge of the mapped route.Work 10050.A potion bottle with a galaxy inside and a springbok pronking straight up in a cash and carry, the Helvetica years, Sabattier effect print.Work 10033.A dry bay with a hull opened up, subject placed small in a huge frame, the salvage crew did not log the bay, archival print with a cool base.Work 10031.A tapestry weaver with a bottle opener on a string, the Lebanese golden age, insect damaged negative, low contrast from an uncoated lens.Work 10027.Late 18th century, a peacock on a flowering branch on silk gauze over a paper pattern, linen stiff with old starch, buttonhole stitch over a laid bar.Work 10024.Vegetable set against a plain panel of a chrysanthemum bloom bound in paper and a wallflower clump under a window, a spring in the twenties, glass plate contact on gaslight paper.Work 10022.