The collection · DiffusionLab

A far wall lost in interior mist made of line of figures facing each other beside a silt shelf against a base, the first crossing by boat, exposed for the shadow under the vault. Work 10181.

A movie poster for a monster nobody sees, negative space, small figure. Work 9891.

A figure standing with both arms raised beyond a bend of pale river, the shadow arrived first. Work 9780.

Hard shafts through a slatted blind of a subject leaving between two attendants, anamorphic with a cool streak flare, line illustration inked on film. Work 9723.

Study of one silhouette lit from behind of a figure in a crest of peacock eye feathers in a week with the studio to itself, grain visible only in the black. Work 9649.

1844: silverpoint outline with a wash of grey of a yellow wagtail among cattle under a running head in italic. Work 9255.

Studied scale contrast of a figure crossing a threshold of pure white along a corridor with no shadow in it, glossy resin coated print, large negative with almost no grain. Work 9185.

The year the colours were named: a figure standing on nothing at all past a bar of light at shoulder height, impossible silhouette in a wash of hue, colour separation with the hues pushed apart. Work 8830.

Long lens study through fog of a figure holding a struck bar still ringing, wide crop with a high flat horizon, colour balanced to grey daylight. Work 8672.

The lift served one button only: a construction crane on an unfinished crown in the corporate century, silhouetted figure at a great window, digital matte with painted atmosphere. Work 8647.

A black slab standing upright on a plain alongside a wall running out of sight in after the last team went home, raking light on a featureless face, halation glowing round a bright edge. Work 8121.

A silo rank throwing hard shadow and a worker sitting in a window reveal, stark contrast with the shadow blocked, red filter darkening a pale sky. Work 8006.

Atmospheric layering cinematography of a boatman standing with one pole among buttress roots, negative developed by inspection, still photographer's colour negative. Work 7775.

A taotie, study of one silhouette lit from behind, the guard blew the whistle and laughed, film pushed in the tank by guesswork. Work 7633.

Silhouetted figure at a great window of a factory floor with every machine silent, daylight stock gone amber, varnish over a printed plate. Work 7611.

The season finale, an export-stamped rehearsal run with the house lights up with the gum still shining, opening titles in chrome lettering. Work 7193.

An airport departures board with impossible destinations, long exposure. Work 6656.

Pen and ink illustration of a lettering painted on frosted glass under a street lamp in the fog, eight to one lighting ratio, haze in a hard backlight. Work 6104.

A movie poster for a film with no dialogue, minimal, one object. Work 6074.

35mm black and white film still of a silhouetted blotter stained with ink, the 1940s, hard key with no fill. Work 5954.

The good one: a supernova remnant in a command centre, Game Boy Color. Work 4651.

A movie poster for a courtroom drama, high contrast, hard shadows. Work 4204.

A movie poster for a monster nobody sees, negative space, small figure. Work 3461.

A piano being lifted through a window, black and white, 35mm, crowd below. Work 3056.

A movie poster for a courtroom drama, high contrast, hard shadows. Work 2767.

Gravitational lens image of a line dancer inside a glove, Sunday morning light. Work 2310.

A discontinued microburst with a mouth, Fellini film still, monsoon light. Work 1874.

A raven stealing the sun covered in wet leaves on a pilgrimage, the phone is still ringing, pictograph panel, desaturated. Work 1351.

A detailed and award winning photo of old man on Everest, retro, soft lighting, night time, cinematic lighting, concept art, cinematic composition, vintage colours, 1960s. Work 146.