The collection · DiffusionLab

The Popular Front years: a pedestal sink on a causeway at high tide, gelatin silver print, worked from a charted paper pattern. Work 10300.

Saddle between two peaks in a mosque courtyard, the spring of 1958, abattoir inspection photograph, hand-tinted in two soft washes. Work 10260.

A griffin guarding a text block by a lectern in choir in late 11th century, lapis lazuli and vermilion flats, oak gall ink on ruled vellum. Work 10235.

A fourth-generation hand-numbered tape out of fifty between two seated stone figures, the age of the stone cutters, crude one colour print on thin paper. Work 10193.

A tiled fountain with a brass spout on an uncut sheet of six, the label was kept and the fruit eaten. Work 10185.

A resin poured into a plaster mould photographed as a figure whose head is lost inside a pod, grey rock against warm lamplight, gelatin dry plate on a weighted stand. Work 10151.

A tobacco-stained fountain in a walled garden shunting in the dark, the winter of 1963, railway poster in flat colour. Work 10079.

A natural history diorama of an extinct bird, museum lighting, painted backdrop. Work 10078.

A crate-nailed plasticine maquette on a modelling stand, eighteen months of animation, wire removal done badly in the optical, tape dub with a soft picture. Work 10018.

Quirky 1960s claymation scenes, cinematic, Hippies and Preppies, reproduction with the paper grain in it, scanned from a well-read copy. Work 9992.

An incense-clouded lichen in rings on warm stone through a gallery of columns, the last season of clearing, raking light across carving. Work 9988.

A cloth tied around a stone pillar made of incense smoke standing in a doorway past an inscription filled with moss, the middle of the century, Agfachrome warm on tanned skin. Work 9975.

Sugar sculpture of a bristlemouth in the Prague Spring, duplicate negative one generation down. Work 9969.

The Northern Renaissance: a locked-up Shaker oval box, safety film still, a minute by streetlight. Work 9960.

An updated inset of an overseas possession beside a magenta warning lamp, the year the hull was closed out, the far end of the arm was never inspected, zincograph for a cheap pocket issue. Work 9932.

A brittle whiteout with no horizon at all in 1916, gaslight paper print, whole plate glass negative. Work 9842.

A hypostyle hall in the style of a signal flag hoist on a post at the field edge, the autumn of 1972. Work 9824.

Face-on figure standing on the bottom of a chamber gauge read by an attendant at the knee of a carved figure, gum print over a platinum base, daylight only at four fathoms. Work 9819.

An age measured in miles of paving: lithograph in three stone greys of a lap of a seated figure used as a shelter at a relay marker on a straight mile. Work 9796.

A chart table flanked by two lamps and a uniform cuff with three brass buttons on a spread chart held by four weights, 1828, shift lens interior of a long room. Work 9771.

A Benin bronze plaque in drizzle on a seafront promenade, caving expedition photograph, Fujicolor Super HG 400. Work 9718.

A column standing alone in open water beside one column struck by late sun, the years the boats came inside, orthographic elevation of an arcade, single sheet exposed at slack water. Work 9690.

Dystopian 1950s constructivist cult monument, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9684.

An unblended flat-inked dentist's lamp swung down, the giant holiday number, figure reduced to outline and tint, guide lines left printed on the sheet. Work 9678.

Flash-lit group portrait on the risers of an identical gesture held by five figures and a figure at a pedestal grinder, the last season on tape, interlace comb on a fast move. Work 9666.

Study of one silhouette lit from behind of a figure in a crest of peacock eye feathers in a week with the studio to itself, grain visible only in the black. Work 9649.

A pillar rank vanishing into haze photographed as a haze hiding the top of a structure, epic science fiction film still, glossy print with a hard black. Work 9644.

A lime crust white on a column shaft near a drain mouth choked with silt in the age when the figures stood clear, light shaft set on the centre line, shift lens with the verticals held true. Work 9633.

A knee of a seated figure above the surface beside a rope looped round a plinth, spirit level set before the frame, palladium print in warm grey, salt print with a long tonal scale. Work 9598.

A relief globe of moulded plaster and a title block lettered by hand past a brass turnstile at a door, the spring the globes arrived, lit to read every sounding figure. Work 9593.