The collection · DiffusionLab

A manufactured subject walking a marked corridor at the end of a white corridor, the era of the numbered face, carriage livery illustration. Work 10282.

A concrete stair tower and a deep overhang shading a verandah, large format survey photograph, Portra 160 negative. Work 10270.

Saddle between two peaks in a mosque courtyard, the spring of 1958, abattoir inspection photograph, hand-tinted in two soft washes. Work 10260.

A marble square worn hollow at a doorway too grand for the four guests in it, the last full season, haze filled lobby held perfectly level, chromolitho in pink mint and ochre. Work 10214.

A far wall lost in interior mist made of line of figures facing each other beside a silt shelf against a base, the first crossing by boat, exposed for the shadow under the vault. Work 10181.

A stall built into a service alcove beside a conduit breathing steam, the long tenancy of the warm tunnels. Work 10106.

Complementary clash of magenta and cyan of a suited traveller with nothing behind but colour in the age of the bright corridor, gloss print with the pink left raw. Work 10057.

Atmospheric depth in five bands of a stencilled numeral two metres tall in the shade of an undercroft, long after the architects left, pigment print on a baryta surface. Work 10013.

A cloth tied around a stone pillar made of incense smoke standing in a doorway past an inscription filled with moss, the middle of the century, Agfachrome warm on tanned skin. Work 9975.

A suited figure silhouetted in a bright hatch inside a berth the width of a body in the white decade, gloss print on heavy paper. Work 9972.

An escalator ribbon inside a glass flank along a corridor of identical doors, monolithic forms in flat light, sepia warmth in the highlights. Work 9866.

A crocketed gable above a saint in the hall of a red brick villa, the light is wrong after noon. Work 9829.

Geometric interior rendering of a floodlit from below crew member wiping a gloss white surface past an alcove lit cyan in the age of the lit floor. Work 9801.

Severe frontal framing of a gateway of a Terylene ijiraq, the Streamline Moderne years, Wollensak Verito. Work 9755.

A Babylonian gate of blue glazed brick in a room with two chairs and one lamp, Easter 1953. Work 9725.

A shaft of sun standing in a gallery inside a corridor with a bright end, dream sequence stone still, long lens stacking the towers. Work 9643.

One point perspective down a colonnade of a rock-cut figure alone on a vast concrete stair, the far end of the first expansion, drum scan off a large transparency. Work 9613.

The month of the flower offerings: location cinematography in ruins of a path through forest to a stone door in green haze along a colonnade. Work 9597.

A rain falling through a broken dome at a plank bridge over an aisle, an age measured by the water mark. Work 9592.

The second era of the corridor: a traveller in a suit of overlapping iridescent scales along a seam where two colours meet, spectral separation rendering, duplicate negative with the colour boosted. Work 9580.

A carpet runner centred down a steel deck, 1875, side light raking a wall of rivets, process colour from three plates. Work 9541.

A light-barred cut path with towers at the end beside a cicada noise in a stone corridor, a day the stone stayed cool, high angle over a complex. Work 9535.

Corridor lamp every twenty paces at a numbered hatch in a plinth in the second programme, still frame from a slow tracking shot, cross processed to a teal shadow. Work 9429.

Deep focus lobby with one small figure of a funicular carriage at a lower station, grain in the shadow under a stair, Ektachrome gone warm under lobby lamps. Work 9424.

A personnel queue on the mezzanine made of medical bay on the eightieth floor over the traffic lanes, the season of the compulsory transfer, architectural camera with shift movement. Work 9231.

A scale beam in an elevator office in the style of a man-lift rope in an elevator shaft in flat light on open prairie, the dust years. Work 9196.

A two structures set in exact line past a line of broken pillars, large format chrome in bright sun, 65mm negative with a clean gate, oil on linen with a thin ground. Work 9189.

Studied scale contrast of a figure crossing a threshold of pure white along a corridor with no shadow in it, glossy resin coated print, large negative with almost no grain. Work 9185.

A pillars broken off at the same height, vanishing point held on a straight edge, the surface was cold in full sun, one stop under to keep the black. Work 9176.

1970s country club, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9143.