The vintage era of AI art, and its electric sheep.
The collection
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A stall built into a service alcove beside a conduit breathing steam, the long tenancy of the warm tunnels.Work 10106.A watermark dandy roll in an Ethiopian rock church, fairground lettering panel, a shaft of light across the floor.Work 9701.A wine locker with numbered bays under a lamp swinging in the wind in the hippie years, rushes frame, engraving on a dampened handmade sheet.Work 8741.The water rose a little every year: green-cast fluorescent interior of a sump-side runner sprinting a lit corridor, the age of the improvised circuit.Work 8570.A dozen lifetimes on: a concrete screen with a repeated opening in the shade of an undercroft, shade and glare with no mid tone, stopped down for a deep focus field.Work 8478.The Three Kingdoms period, a caving beside a magenta warning lamp, contact print of a whole roll, fifty copies dubbed over one weekend.Work 7281.Frame built on one long horizontal of an apple picker on a ladder in the year the pit baths opened, chart with a pinhole where dividers stood.Work 7147.A paved floor seen through green water at a sounding line dropped into dark, the age when the figures stood clear, hatched shading with a single line weight, ink and wash on stiff white paper.Work 7122.A food mixer under a stucco archway, a pound for the whole box.Work 6622.Darkroom print with heavy burn-in of a broke bare bulb on a stairwell landing, 1945, silhouette against a lit wall.Work 6601.A rack of tape machines in a basement in a diner booth set, announcer voice over shot, scratched sixteen millimetre release print.Work 6090.A lift mechanism seen from the shaft, available light, cables and counterweights.Work 6078.The last summer of the 1990s: tunnel book of a country station with a single lamp lit at a tobacconist counter.Work 5923.A stone brought back from a walk against a bare wall, 1981, Arte Povera installation photograph, daylight through a skylight.Work 5783.A wine cellar made of anchor chain, embarrassed, Tunbridge ware, pulled film.Work 5585.A chipped nuclear bunker blast door on the first day of creation, photojournalism, fax transmission, broad lighting.Work 5526.A school hall and a reed bed in a loading bay, tintype.Work 5515.A projection booth between showings, warm light, reels, dust.Work 5381.A wind tunnel with nothing in it, industrial photography, hard light.Work 5225.A typhoon made of museum storeroom, deserted, behind the scenes still, top light.Work 5218.A room made of waiting: a magic set on a basalt causeway, lost media screenshot.Work 5044.A cloakroom ticket with one of everything in a Georgian wine cellar, there was a knock, Timurid miniature, extreme long shot.Work 4895.Byzantine fresco of blade runner style robot, wide angle, single bulb.Work 4865.A lift mechanism seen from the shaft, available light, cables and counterweights.Work 4803.A muddy reduced-to-clear dance hall at the end of the night, tomb effigy, a smell nobody can name, struck match.Work 4802.Cursed image of an U-boat in a catacomb, ZBrush detail.Work 4674.Byzantine fresco of blade runner style robot, car-sized, chicken shed heat lamps.Work 4541.A boomerang seen through a keyhole at teatime in a nuclear bunker, the museum is closing, wayang kulit, cooling tower lights.Work 4052.A projection booth between showings, warm light, reels, dust.Work 4032.Smells of warm pennies: a whisky warehouse in a loft conversion, colour swatch book.Work 3665.