DiffusionLab

The vintage era of AI art, and its electric sheep.

The collection

All 1375 keywords
Regional film archive still of a high-rise hotel behind the beach, interlace comb on movement, focus hunting. Work 10299.
Muted pastel through green haze of a stone face looking up out of the sand in the season the lamps were caged, aquatint with a dark ground. Work 10254.
A water carried in from the shore after the brine dried to a film, one blazing afternoon among hundreds. Work 10252.
A gravel spit running into a pan four days from either shore, the short season of good crust, 70mm widescreen plate on a white pan, five perf stock pulled one stop. Work 10207.
The early 1920s: stylised sunburst behind a peak of a lemon cut across the segments on a rocky coastal point. Work 10155.
A ghost train facade photographed as a dal tadka, coastal erosion monitoring photograph, carbro print. Work 10121.
A Lyons Maid freezer box and a line of sun loungers, box camera snapshot, glare off wet sand. Work 10087.
Backlit party against a paler haze of a sight glass with a red float inside and a sleepers laid on a pale beach, the year the lamps were fitted, brass lens with a soft edge. Work 10074.
The summer of 1976: a crowded beach at high tide outside a bathing cabin, black and white press photograph, orange fade of an old print. Work 10054.
The hottest month of a bad year: tonal study in copper and bone of a shell of a shelter open to the sky beyond the edge of the mapped route. Work 10050.
A landscape where the figure reads as a mark made of ridge of red scoria against grey sky under a sky of flat grey cloud, the third winter of the survey, polarised sky over black rock. Work 9815.
A figure standing with both arms raised beyond a bend of pale river, the shadow arrived first. Work 9780.
Survey photograph made from the air of a sign-lit marker post leaning in loose sand toward a horizon with nothing on it in the years the maps stopped agreeing. Work 9743.
Film grain damaged footage of vintage submarine, beached on a tropical island, damaged Kodachrome, vintage photography, 1950s, damaged film, light leak, found footage. Work 9722.
Film grain damaged footage of vintage submarine, beached on a tropical island, damaged Kodachrome, vintage photography, 1950s, damaged film, light leak, found footage. Work 9703.
Film grain damaged footage of vintage submarine, beached on a tropical island, damaged Kodachrome, vintage photography, 1950s, damaged film, light leak, found footage. Work 9694.
The turn of the tide at dawn, a palm-lined group waiting at the edge of a clearing rimmed in orange along one edge, horizon high with water below. Work 9658.
A tin roofed shed at the edge of a strip and a tie down rope on a blade tip in the short tropical dawn, the first years of the 1970s, sun in frame with heavy flare. Work 9656.
A doorway cut into the side of a dune, the second era of the rigs, frame built on one long diagonal, 8x10 negative on a heavy tripod. Work 9536.
An axe-squared crust broken by one crossing only, the years the shore wells held, tungsten balanced stock under sodium. Work 9510.
An interlaced offshore wind farm beside a mushroom rock, the trench years, kappazuri stencil print. Work 9501.
Seventy millimetre landscape with one figure of a figure standing where the horizon bends, enlargement made to two metres wide, scan with grain visible in the sky. Work 9466.
Boundaries washed in pink and yellow of a dotted line where the coast is unsurveyed, offset reprint on bright paper, cyanotype of a field sheet. Work 9406.
An orange-rimmed blade tied down at rest ringed by its own spray, the dry season, lens flare across a whole frame. Work 9287.
A bone-dry wind print rippling a brine sheet, the short season of good crust, aerial plate looking straight down on salt, tempera on a chalk white panel. Work 9155.
Poster illustration in candy colours of beach-ready two men in pastel shirts hauling a marlin, summer 1985, dye sublimation print in high gloss. Work 8855.
A line of pillars set at equal spacing before a surface taking no light, long lens across two miles of haze, egg tempera over a chalk ground. Work 8836.
A portfolio of ten heads, a garish apprentice's head in flat sand reduced to a black plate and a pink, portrait printed on stiff white board. Work 8780.
Aquatint of a storm beach and a cigar box guitar, the year the pylons came, Kodak Ektar 25. Work 8548.
A shell beach made of tiny white shells made of gallery of columns filled with haze past a row of bathing huts, the mid-century modern years, headlight trails. Work 8515.