The collection · DiffusionLab

A bishop saint in a jewelled mitre and a broken quarry mended with a lead, hot ruby set against a cool blue, vitreous paint fired at 640 degrees. Work 9673.

Czech avant garde photogram of an old fashioned in a cape opened to the floor, the winter of 1975. Work 9324.

Dystopian 1960s constructivist robot, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9066.

A renaissance portrait of a bulldog as a duke, oil on canvas, heavy drapery. Work 8791.

A man in a double-breasted coat greeting the room on a modular leather sofa, the height of the boom, fashion plate in flat saturated colour, push processed colour negative. Work 8745.

His head fell off on take nine: a plasticine horse whose hind leg was rebuilt in one long afternoon in 1969, primary colour set photographed flat, optical soundtrack edge on the print. Work 8662.

Study of felt and metal together of a robe dyed the red of old brick in the week the fog stayed down, square frame with the line low in it. Work 8598.

1846: keyline engraving with flat colour behind of a wire and felt shepherd in a wool cloak beside an old coastline left in dotted line. Work 8565.

A tassel-hung crest cut by a single file of prints beside a silver disc hung at a throat, the season of steady wind, hard noon light with no fill at all. Work 8503.

A frontman in a cape opening it wide, newsreel frame of a mill closure, the proof came back gold and stayed gold, two heads at forty five degrees. Work 8419.

Deep focus plate from horizon to boot of a pleated overrobe weighted at the corners, daylight stock rated at twenty five, exposure protected for a black garment. Work 8380.

A man in a satin jumpsuit with a wide belt beside a wind machine on set, acrylic and airbrush over a photograph, spot gloss varnish on a logo. Work 8255.

The last night of the booking, a figure seen from behind in a shell cape inside a space with no visible wall, fine grain holding every scale edge, standard lens with no falloff at the edge. Work 8192.

A sunburst-gold bandleader in a bishop collar coat, the summer of 1974, Plus-X with two hard heads. Work 8164.

Around 1390: a bronze-tinged costumed figure standing dead still, Carolingian minuscule ruled in lead, stock that renders green cold. Work 7873.

A bone white branch planted upright in sand, costume study of a wind filled garment, the robe was the only thing that moved, anamorphic negative with a flared edge. Work 7782.

A figure in a sulphur yellow cloak photographed as a padrón pepper, test pattern still, photographed flat under soft light. Work 7655.

Both puppets were the same puppet: painted backdrop against real boards of a footlit rod puppet fisherman in an oilskin cape, the school holidays of 1973. Work 7499.

A grass-caped hand-oiled carved post wound with vine, one long green afternoon, hand-coloured railway view print, two-colour litho print. Work 7137.

A level-eyed English punt chauffeur in the Aztec years, flat ink pulled through a coarse mesh, albumen print pasted to a stiff leaf. Work 7085.

Quirky 1960s claymation scenes, cinematic, monsters and heros, reproduction with the paper grain in it, scanned from a well-read copy. Work 6990.

Sequence frame of a procession passing of a figure holding a triangle of thin steel and a yoke carved from a single beam, the third year of the same route, colour balanced to grey daylight. Work 6901.

The Taisho years: a crane-haunted wrestler's handprint pressed on paper, pine needles cut as fine strokes, worm holes through the lower margin. Work 6874.

A rubber mask stretched over a skull form in the style of an armature stripped of its rubber in a vice on the armature bench, a cold studio winter of 1966. Work 6738.

A felt king with a sequin crown through a pedestrian slot in a wall in the years of the twelve-hour shift, tiny figure against an enormous wall, colour shifted towards green. Work 6699.

Sleep is a country: a mummer in a paper costume in a fall of volcanic ash, Carel Willink canvas. Work 5617.

A monastic serene sounding rocket, 1990s, 16k. Work 5452.

An egg yolk yellow sailing stone in a cape, specimen photograph, scanlines. Work 5431.

A formerly famous crenellated vampire squid, paper doll, the epilogue, Fomapan 400. Work 5296.

A self-important Mardi Gras float during the 1918 flu, glossy magazine cover, radial symmetry, bone white. Work 5203.