The vintage era of AI art, and its electric sheep.
The collection
All 1375 keywords
A concrete stair tower and a deep overhang shading a verandah, large format survey photograph, Portra 160 negative.Work 10270.A raw-edged concrete-poured turbine casing opened for repair, the VKhUTEMAS years, photomontage with cut halftone, flat matte ink with no shine.Work 10177.A seamless black suitcase held shut with a belt, the Silla years, appropriation art rephotograph, duotone in grey and blue.Work 10072.The hottest month of a bad year: tonal study in copper and bone of a shell of a shelter open to the sky beyond the edge of the mapped route.Work 10050.A sulphur coloured sky above a flat parapet and a parapet edge dividing haze from concrete above a bolted access ring, the quiet decade, flat elevation photograph of a facade.Work 9876.Hand coloured natural history plate of air intake grilles in a concrete flank in the years of the sealed windows, body colour over a pencil line.Work 9642.An unfinished walkway bridging two concrete masses beneath a soffit marked by shuttering, the age of squared rock, the pour ran on through the night, low angle with the parapet against sky.Work 9529.An austere lectern bolted to a concrete floor in the years of the works, tritone with a brass highlight, rust tone in the midtones.Work 9520.Engineering line illustration of a pit village terraces up a bank in the war years, magnesium flash powder exposure.Work 9517.Courtyard sunk two floors into rock among unfinished floor plates, split-toned print with cool shadows, 5x7 negative with a rising front, lith print with a hard shoulder.Work 9378.Dystopian 1940s constructivist monument, modern art, Project film, print with a retouched background. damaged film, film grain.Work 9347.Dystopian 1940s constructivist monument, modern art, Project film, print with a retouched background. damaged film, film grain.Work 9301.Dystopian 1940s constructivist monument, modern art, Project film, print with a retouched background. damaged film, film grain.Work 9283.Dystopian 1950s constructivist cult monument, modern art, Project film, print with a retouched background. damaged film, film grain.Work 9282.Faded oxblood accent on pale stone of a teal-shadowed rubber stamp and pad on bare stone, the first schedule, fine grain film at a small aperture.Work 9237.A near-empty single steel hatch numbered 04 in a blank wall, the closing schedule, sectional schematic of a wall, hand tinted print in pale colours.Work 9121.Dystopian 1940s constructivist monument, modern art, Project film, print with a retouched background. damaged film, film grain.Work 9045.A rectilinear deep-set facade of board-marked concrete, two hundred years after the pour, section through a terraced block, drum scan off a large transparency.Work 9035.A blast wall angled across an approach atop a parapet above a long drop in before the upper terraces were cut, concrete model lit from one side only, offset lithograph on a dull coated stock.Work 8914.A mass-concrete half-poured stair flight climbing a sheer rock face, long after the architects left, warm stone against cool shadow, bromide print with the detail held.Work 8880.A line of pillars set at equal spacing before a surface taking no light, long lens across two miles of haze, egg tempera over a chalk ground.Work 8836.Shift lens elevation of a facade of an overbearing painted band marking a level against a sky pale with dust in the second era of the quarries.Work 8771.A renaissance portrait of a crow with a signet ring, chiaroscuro.Work 8712.The numeral 17 appears nowhere in the text: an electricity meter with a spinning disc in seventeen years after the grant, stipple shading on a curved surface, line cut printed slightly out of register.Work 8704.A shadow of a rail across concrete along a band of ribbon windows, white space treated as a shape, wood type printed over a flat ink.Work 8613.Render with one hard shadow edge of a board marks left in a poured wall in after the surface was given up, stopped down for a deep focus field.Work 8578.Wide frame with the slab dead centre of a figure seated on a folding chair in the dust and a figure standing in the slab's shadow, the year the slab was measured.Work 8479.The third season at the site: a lamp-washed observer kneeling to touch the slab base, dead symmetrical group composition, negative exposed for the dust haze.Work 8250.A multiplied rubber duck in four colourways in an edition nobody counted, print on wallpaper lining paper, dust trapped under the ink film.Work 8178.Two birds facing a flowering urn along a hemstitched edge, she was eleven when she worked it.Work 8036.