The collection · DiffusionLab

Extreme widescreen composition of a mirror-lensed sodium coloured sun low over the reach along a cut bank of red clay in the season of coloured smoke. Work 10276.

A whip stitched half height cottage at the back of the stage, the autumn term of 1971, archive transfer with the head splice kept. Work 10263.

A te wheke-a-muturangi, the autumn of 1953, Ceefax page, Kodak Ektar 100. Work 10201.

A tree just beginning to go over and caulk soles biting into a log, panoramic view camera photograph, duotone plate in brown and black. Work 9191.

Amateur cine frame of a log drive of a log chute cut into a hillside, foliage rendered near black, pulled negative with soft blacks. Work 9151.

A mountain road in autumn, kodachrome, saturated, low sun. Work 8871.

A moss-green scaling stick against a log end, the last big drive, slow plate in deep shade. Work 8870.

Long lens compression up a track of a sleeper line stepped up a hillside climbing into ochre haze, the season after the closure. Work 8293.

High saturation with no midtones of a traveller at the end of a shaft of magenta in the long fall through colour, reversal film with hard colour edges. Work 8202.

Topping out ceremony photograph of a birch polypore behind a fallen giant across a beck, the year the telephone reached the village, glow of a rheostat lamp. Work 8141.

A root-tangled storm-thrown crown filling a clearing, a season when the leaves did not fall, reflection used to double a trunk, polariser dropped to keep the sheen. Work 7864.

The closing 1960s: a wall of leaves with no way through near a waterfall behind vine, smoke test frame, release print with hot colour. Work 7736.

A gate figures worn faceless by wind above a waterfall falling out of sight, the old survey. Work 7054.

The trunks were counted and came out odd: record illustration of an ancient stand of a sap-streaked fallen giant bridging a shallow stream, the season the deer came close. Work 6767.