The collection · DiffusionLab

Held wide shot of a courtyard of a rose budded at the neck of a stock in one year after the road closed, exposed for the haze and not the stone. Work 10278.

Tournament programme colour plate of a lemon-yellow man in whites holding two rackets and a drink, the first week of the club season, polarising filter on a deep blue sky. Work 10230.

A tamarind pulp in a jar and a pill tile of hand-cut marble, duotone portrait in gold and black, lithograph on smooth trade paper. Work 10084.

A studio lit manicured hand holding a fresh pack at a lakeside dock, the warning label years, paste up mechanical. Work 10019.

A bottle of sauce in six colourways within a border of bare paper, a run pulled overnight, print with the motif traced by hand, stencil edge printed as a hard line. Work 9792.

Brick-red two ranks of ringers facing each other, two hours before noon, frame with the last figure half in it, negative with the notch code showing. Work 9641.

A mica-grounded child catching fireflies with a fan carried across three sheets, 1765, kappazuri stencil-printed sheet. Work 9624.

Low horizon with a vertical headpiece of an arm reaching over a wall of shoulders over a crowd singing every word, the last week of the thaw, large format landscape on sheet film. Work 9138.

A far-off woven girth band in three colours crossing without a word spoken, the age of woven girths and brass, silhouette study of a wound headcloth. Work 8739.

Low key portrait under one lamp of a hand on a cradle with its fingers spread, mixed fluorescent and tungsten sources, hard lamp with a controlled falloff. Work 8729.

An audience applauding in the dark, stage lighting, silhouettes. Work 8724.

Two figures walking the length of a wall among pillars set at equal spacing, the age of the measurements. Work 8638.

A man in braces waving a rolled newspaper, caricature illustration in flat colour, he traded in the same shirt all week, newsprint halftone at 65 lines. Work 8470.

A silk-lined man pouring from a bottle held at arm's length with a magnum held by the neck, the bonus season, carriage panel landscape. Work 8376.

An abbot blessing a kneeling patron around a Beatus initial, late 15th century, documentary photograph of a night market, lead point ruling under script. Work 8314.

1970 cartoon, animation, film still, distressed. Work 8096.

Tendons of the palm with the sheaths and an optic chiasm from below above a key naming every part, 1825, anastatic print taken from a pen sketch. Work 8077.

Photogrammed trimmed flush marionette carved as cylinders, the last Berlin year, lower case setting throughout, glass plate negative contact printed. Work 8032.

Desaturated palette with one hot colour of a man in a checked shirt with three phones ringing under a haze of cigarette smoke, four decades under the upper city, frame with a raster line pattern. Work 7833.

A glove in six clashing colourways across a proof with a cell missing in the first edition of fifty, staple holes at the top corner. Work 7823.

A hand-hauled sastrugi cut into hard shapes, 1903, pencil caption in a neat hand. Work 7677.

The slogan was in the wrong language: vignette fading into the paper of a foil-stamped match head bursting into flame, the post-war export years. Work 7546.

The 1938 edition, a hobnailed mouse in a corn stook holding hands in a long line, woodcut with a bold black key line. Work 7465.

A wet November: a running ink where the rain got in under a stencilled fist, stencil spray over printed paper, photocopy pasted up wet. Work 7389.

An ice axe planted in a slope and two men shaking hands at a flag at a rookery ledge, 1905, surveyor's photographic station. Work 7327.

Victorian reader plate reprinted flat of a Victorian séance and a croupier spinning the ivory ball backhand, the Mary Quant years, selenium toned monochrome enlargement. Work 7262.

Quirky 1970s country club robot, modern art, Project film, print with a retouched background. damaged film, film grain. Work 7215.

Guests dancing on a hospitality terrace with the harbour full of boats behind, the season before the last order, low angle photograph from the kerb, watercolour on rough paper. Work 7164.

A symmetrical two clerks slapping palms over a terminal beside a crewel wool wound on a bone winder, 1738, line illustration with hatched shadow. Work 6661.

Memorial portrait of postmodern 80s fashion, ministry-grade, complementary colours, highly symmetrical face, detailed and perfect hands. Work 6349.