DiffusionLab

The vintage era of AI art, and its electric sheep.

The collection

All 1375 keywords
A second-hand skimmer basket full of leaves beside a blue pool vacuum hose, the long summer of 1977, deadpan architectural photograph. Work 10298.
A flower decked hotel with a swim up bar in a courtyard with a fountain, the first jumbo season, flights from regional airports, airline poster in gouache. Work 10241.
Tourist board photograph of an estate of a crowd of twenty at a paddock rope behind a hedge at the hairpin, transparent dye over an airbrush ground, polariser holding the grille reflections. Work 10209.
Military public relations photograph of a travertine terraces full of blue water in a chunky knit with leather buttons, the spring of 1960. Work 10166.
An iron ring set in a stone cover down forty steps into cool air in the age of the turning animal, extreme long shot of one well in a plain, polariser killing a glare off water. Work 10133.
An open-air pool at Saltdean and a sanatorium staircase down to the sea, Free Cinema style documentary frame, thumb over the corner of the lens. Work 10002.
The syndication years, a hill village stacked above terraces beside a still oasis pool, saturated magenta gel wash, one inch tape with a soft chroma. Work 9916.
A crowd cheering a car through the pool bend in the style of two drivers arguing beside a wrecked nose at the top of the hill in the town, the last flat twelve season. Work 9886.
A crown of the Andes at Le Jardin in the Argentine Proceso, Ektachrome gone cyan. Work 9880.
Panel art with a caption box ruled off of a shoes left at the bottom of the stairs and a floating swimming pool, the spring of 1933, Lomo LC-A vignette. Work 9830.
Oasis palms beside a still pool above a fireplace in a lounge car in the 1937 season, poster reduced to five shapes, ink stamp of the printing house. Work 9762.
Helicopter photograph of a terrace of a depressurised helmet alone under a work lamp at the head of a docking approach in the years of the sealed modules. Work 9713.
Vidicon tube image with smear of a disused turbine hall as a venue in the spring of 1984, line converted photostat. Work 9689.
A lime crust white on a column shaft near a drain mouth choked with silt in the age when the figures stood clear, light shaft set on the centre line, shift lens with the verticals held true. Work 9633.
A kid-gloved man in a silk scarf with a phone in a case beside an apostle holding a closed book, around 1320, mirrored composition in wet tarmac. Work 9630.
A bridge crossing at the fortieth floor photographed as a penthouse pool on the top setback, single window as the only source, daylight balance at cloud height. Work 9563.
A swimming pool at the end of summer, kodachrome, empty, long shadows. Work 9528.
Topographical view postcard of a hand-rubbed piazza, the first summer of the 1970s, registration cross left in the margin. Work 9516.
An afternoon that did not end, a rimstone pool ringed in white beside a pool with a level surface, soft rim and a sharp centre, large format negative of a relief. Work 9504.
A wave machine in an empty swimming baths, fluorescent, ripples. Work 9495.
A swimming pool at the end of summer, kodachrome, empty, long shadows. Work 9387.
1970s country club building, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9381.
A cairn of salt blocks as a waymark without one cloud above the pan, the shade was the width of one body. Work 9277.
A many-layered water skin swaying against a flank beside a dust hanging where a column passed, the years the route ran north, telephoto compression along a crest. Work 9273.
Dystopian 1960s national monument, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9230.
1970s country club, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9171.
A pool with a perfectly level surface between two matched rock pillars, nobody found where the light came from. Work 9147.
A hushed concourse with one figure and no furniture over a dry fountain in a stone floor, the years of the new hall, the carpet was laid to the inch, reception desk portrait centred. Work 9130.
1970s country club building, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9096.
A rectilinear deep-set facade of board-marked concrete, two hundred years after the pour, section through a terraced block, drum scan off a large transparency. Work 9035.