The vintage era of AI art, and its electric sheep.
The collection
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1761, a lump of myrrh in a paper twist above a wake of ruled foam, gouache matt on a dark ground, photogravure with a soft aquatint grain.Work 10218.Rendered in one flat blaze of light of a face veil beaded along its lower edge outside a shelter with no roof, slow emulsion holding a deep black, photochemical grade with a warm base.Work 9712.A fairground barker's face in scarlet against a curtain printed flat, the week the pink ink arrived, publicity still turned into flat ink, a fingerprint set into the pink.Work 9706.An engine cowling open at dawn, the middle of the 1970s, contre jour sunrise still, optical dupe with veiled sun.Work 9686.X-ray plate of an excavated headcloth wound twice and tucked, the Little Ice Age, glass plate negative on thin glass.Work 8802.A renaissance portrait of a swan as a bride, oil on canvas, pearls.Work 8545.Deep focus plate from horizon to boot of a pleated overrobe weighted at the corners, daylight stock rated at twenty five, exposure protected for a black garment.Work 8380.A figure in a hood of woven horsehair and two figures in matching sculptural gowns, colour study of texture and volume, green held true through the whole frame.Work 8270.The last night of the booking, a figure seen from behind in a shell cape inside a space with no visible wall, fine grain holding every scale edge, standard lens with no falloff at the edge.Work 8192.Silkscreen head at poster scale of a film starlet's head in acid pink and green against a flat grey studio ground, newsprint offset print gone pink, flooded mesh leaving a ridge of ink.Work 7466.Glamour portrait flattened to flat colour of a lantern hood of pierced copper in the years after the pass closed, photogravure on soft paper.Work 7348.A halted woman in a headscarf packing a wardrobe trunk, the back shift in midwinter, 35mm frame cropped square.Work 7315.A chipped enamel whitlow bandaged with tape in the seventh transit, print struck for a single dominant hue, all middle tones and no black.Work 7161.A sullenly patient space station shaped like a chandelier with a headscarf knotted under the chin, New Year 1945, arcade cabinet side art.Work 6373.The original: a La Llorona in a fine mizzle, Ivan Albright canvas.Work 5704.A cola brown wedding in a lift covered in price tags, verdaccio underpainting, lampshade with a burn.Work 5692.A monastic serene sounding rocket, 1990s, 16k.Work 5452.A formerly famous crenellated vampire squid, paper doll, the epilogue, Fomapan 400.Work 5296.A renaissance portrait of a swan as a bride, oil on canvas, pearls.Work 5216.A dark, slow motion replay, veiling glare.Work 4918.A net curtain, ghost sign, tiered, isolated figure.Work 4723.A renaissance portrait of a swan as a bride, oil on canvas, pearls.Work 4482.A renaissance portrait of an owl in judicial robes, oil on panel, dark ground.Work 4453.An evacuee with a label, khayamiya tentmaker applique, veiled, smog sunset.Work 4437.A skewbald midnight blue beekeeper lifting a frame of comb, WordArt, the dog who waited, bounce light.Work 4304.A renaissance portrait of a swan as a bride, oil on canvas, pearls.Work 3961.A mexican coffee-stained shepherd carrying a lamb, line art, hear the dust, doorway silhouette.Work 3569.A diagram of a convolutional neural network, Glasgow style panel, full frame fisheye, bonnet mount.Work 3494.A renaissance portrait of a swan as a bride, oil on canvas, pearls.Work 3486.A padlocked slug as a salt merchant in a Persian carpet shop, Van Eyck portrait, drum scan, reflection in black water.Work 3250.