The vintage era of AI art, and its electric sheep.
The collection
All 1375 keywords
Raking light across carving of a survey peg beside a wall among fallen blocks, the season the forest came back, 70mm print graded for haze.Work 9663.Back cover photograph of a yard of a skip with a burned out base, two colour litho off register at the edge, dust trapped under the ink film.Work 8813.Main titles over a plaster ridge of a hard lit hardboard floor drilled in a grid, the second unit schedule of 1972, exposure step between two frames.Work 8677.The year of the lockout, a brake lever in the winder house along a cobbled colliery row, two colour offset print, platinum print of a pit yard.Work 8398.The years of the survey, a cicada noise in a stone corridor below a collapsed roof, haze held in the beam by a fan, arc lamp through a doorway.Work 8252.Animation cycle repeated four times of a Rexine paper effigy burned for ancestors, Easter 1979, polarised sky above pale ground.Work 7922.A hand of a broken statue larger than a cart beside a bell hung in a stone arch in the age of the stone cutters, emulsion coated the night before.Work 7423.The grinder took out the lighting fuse: an arrow slit widened by later hands in the season of the last relay, haze thick enough to swallow the far towers, half-plate camera with a long bellows.Work 6784.An atrium under a glazed roof under a monsoon sky, the reconstruction years, demolition record photograph, matte print with no gloss.Work 6001.A radio mast guyed with cable inside a rolling wall of dust, a hundred summers from now.Work 5900.A figure walking away down a road in a fishing village in 1967, practical lamp in frame.Work 5895.A mushroom column head photographed as a hoarding around a cleared site, staged interior photograph, tripod at eye level with no tilt.Work 5822.The year the estate opened: a half demolished bare room with one chair, New Topographics survey photograph, scale figure for reference.Work 5771.A manila hearse in a Mexican cantina, demolition photograph, lavender shadows, xenon lamp.Work 5679.A chipped nuclear bunker blast door on the first day of creation, photojournalism, fax transmission, broad lighting.Work 5526.A landfill site in the style of a Voyager golden record, camera shake.Work 5493.A cavernous weir in a Bangladeshi shipbreaking yard, ground penetrating radar, sunset glow, bokeh from fairy lights.Work 4854.An archaeological dig, Soviet montage film, lavishly underfunded, starburst streetlights.Work 4851.A muddy reduced-to-clear dance hall at the end of the night, tomb effigy, a smell nobody can name, struck match.Work 4802.VHS tracking error of a chimney sweep's brush on a limestone pavement, Agfa APX 100.Work 4797.A permanently closed knot garden in a wind tunnel, architectural photography, post apocalyptic New York, cinematic.Work 4607.Abandoned mansion, oil on panel, cracked varnish.Work 4357.The photograph has changed: a slate quarry in an embassy, torn photograph.Work 4163.35mm photo of a temple in ruins, concept art, perfect composition.Work 4058.Signed before a witness: a dust storm on Mars at nightfall at a border crossing, false colour heat map.Work 3888.A lunar impoverished electrical repair shop, yard art, your father's version, paper watermark.Work 3666.A lamplit fog bank on Groundhog Day in a small town, Reza Abbasi miniature, camera strap in frame, lantern lit noodle stall.Work 3245.35mm photo of a temple in ruins, resort style, kodachrome, cinematic, ad photography.Work 3164.A landfill site made of Sputnik, peruvian, web safe palette, film scratches.Work 2992.35mm photo of a temple in ruins, highly detailed, cinematic composition.Work 2841.