The vintage era of AI art, and its electric sheep.
The collection
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A woman doing a hustle turn on skates with both arms out for balance, New Year 1981, painted sign above a snack bar, instant print with a white border.Work 10145.The closing stretch of the crossing: a flat-coloured figure crossing a plane of glowing violet, saturated single-hue lighting scheme, matched optical pass over a gradient.Work 9733.A man in a red suit balanced on one ski, the last of the manual choke, promotional film frame with a lens flare, screen print in five saturated inks.Work 9024.The week after the eruption stopped: a bilingual goldfish in a glass bowl, gold bronze ink over a flat field, foil panel lifting at one corner.Work 8373.Winter sports poster in three inks of a propliner banking over a coastline under a midnight sun, the first postwar summer, ink stamp of the printing house.Work 7367.A greyhound racing muzzle halfway through in a goldfish bowl, against all advice, Yves Tanguy canvas, spy satellite.Work 3377.A heavily annotated wasp as a debt collector in weather fit for ducks, Scythian gold, glint on a spoon, speed camera flash.Work 3332.A graffitied starling as a mimic in a dolphinarium, Alhambra stucco, light through a jelly, lit from one side.Work 2953.A fluffy velvet ant in the thaw, rod puppet, push in, late afternoon light.Work 2314.A greyhound rounding the bend, long exposure, sand.Work 2294.A kangaroo as a postwoman on horseback on a trapeze, the haiku on the tax return, Victorian school wall chart, signal flare.Work 2080.A wet goblin shark in the long vacation, Plains ledger art, prism light, shadow of a cloud.Work 1970.A morning suit in the style of a ski jump, kodachrome, 35mm.Work 1581.