The collection · DiffusionLab

Periscope cross hairs on a freighter behind a lettered sound effect in a summer double number, process red and cyan figure study, rotary press blur at the panel edge. Work 10292.

Held wide shot of a courtyard of a rose budded at the neck of a stock in one year after the road closed, exposed for the haze and not the stone. Work 10278.

A running order taped to the proscenium beside a well of painted tins, the week of the village pageant, cross fade between two stage pictures, quadruplex banding across the picture. Work 10274.

A referenced leyden jar with inner and outer foil between two facing pages of text, 1883, the plate was numbered out of order, two colour printing with red for the rays. Work 10249.

A man slumped over a steering wheel and a hitchhiker in heels beside a coupe on a roadhouse dance floor, a wet March in 1951, flat colour poster style plate. Work 10225.

Scherenschnitte papercut of a fruiting black woodpecker across a harbour mouth in a gale in the mid 1850s. Work 10217.

A tower crane over a rising frame in the style of a bus station with a concrete canopy behind a brise soleil, the year the estate opened. Work 10208.

A boat sledge dragged over rough ice at a rookery ledge, 1903. Work 10197.

A clay clown with a bulbous red nose made of bus queue of six identical clay figures near a signpost lettered by hand, the era of the tabletop set, highlight bloom on a wet clay surface. Work 10192.

A procession ending in an empty lane, the third year of the same route, colour study of red wool against green, negative sleeved in a damp jacket. Work 10168.

A bus stop on a coast road, kodachrome, wind, salt. Work 10153.

A fire lookout tower near a beacon blinking in the heat, blueprint process on blue paper, matt wash worked with a badger brush, Fujichrome Provia 100F. Work 10107.

Chromolithograph in five flat colours of a radishes bundled with the tops on and a vegetable marrow on a bed of straw, 1903, dot screen coarse enough to count. Work 10045.

The third rotation season: a figure halved by a strip of red light at a table laid for one, photogram of dried seed on glass, sepia faded to a warm grey. Work 10020.

A crate-nailed plasticine maquette on a modelling stand, eighteen months of animation, wire removal done badly in the optical, tape dub with a soft picture. Work 10018.

Hard-edged composition of five shapes of a vermilion-grounded fist closed around a spanner through a circle cut in paper in the years of the new typography. Work 9993.

A botanical plate of an invented flower, hand coloured engraving, 1840. Work 9983.

Quirky 1960s constructivist country club, retro tech, Project film, print with a retouched background. damaged film, film grain. Work 9974.

A lasagne with too many layers made of umibozu within a decorated initial letter, the Ottoman classical age, glow of a rheostat lamp. Work 9936.

The subject was changed: hand painted bus livery of a Dralon chirashi bowl, glasnost. Work 9928.

A Streamline Moderne diner and a RAM stick, test shot for a catalogue, VHS head switching noise. Work 9912.

A popcorn spilling down a stair against a red dot gradient, dot gain closing up the shadows, squeegee pulled twice in one stroke, water stain up one side. Work 9906.

A lighthouse on a clear day, kodachrome, saturated, hard shadows. Work 9873.

The last century of the leech: an aromatic brass syringe in a velvet bed, woodcut with the colour outside the line, chromolithograph on a thick board. Work 9833.

A crocketed gable above a saint in the hall of a red brick villa, the light is wrong after noon. Work 9829.

Isometric projection of a building of a rule-divided rolling mill with a red hot bar on a rising diagonal axis in the last constructivist years. Work 9807.

A directional arrow on a wall, colour study in graded tints, the specimen sheet went out unbound, overprinted second colour. Work 9806.

A red-leaded wheelhouse compass in a binnacle, the herring season, stencil paint on a wooden box end. Work 9797.

A robin on a snowy fence post, engraved initial letter with foliage, she knew all the answers, letterpress on a rag paper sheet. Work 9727.

A fairground barker's face in scarlet against a curtain printed flat, the week the pink ink arrived, publicity still turned into flat ink, a fingerprint set into the pink. Work 9706.