The collection · DiffusionLab

A policeman's head in process cyan against a flat turquoise backdrop, cheap process print on a folded sheet, copy shot slightly off square, gloss sleeve reflecting a strip light. Work 10096.

A face in three quarter profile in a Prague courtyard in the spring of 1968, Gevacolor cold blues. Work 9965.

A figure with three collars stacked upward, portrait with a tape measure left in, it stood up on its own afterwards, daylight balanced stock under soft boxes. Work 9859.

A heliometer objective split in two, sunspot projection sketch, she bought it in the brochure colour, ink plot on graph paper. Work 9831.

Hard shafts through a slatted blind of a subject leaving between two attendants, anamorphic with a cool streak flare, line illustration inked on film. Work 9723.

Rendered in one flat blaze of light of a face veil beaded along its lower edge outside a shelter with no roof, slow emulsion holding a deep black, photochemical grade with a warm base. Work 9712.

A fairground barker's face in scarlet against a curtain printed flat, the week the pink ink arrived, publicity still turned into flat ink, a fingerprint set into the pink. Work 9706.

An engine cowling open at dawn, the middle of the 1970s, contre jour sunrise still, optical dupe with veiled sun. Work 9686.

Flat portrait on a garish flood of a bingo caller's head in hot orange with a silver dome still in hand, the print studio's busiest summer. Work 9648.

A haze-layered lean to roofed with banana leaf, the last hours of daylight, underlit face composition, archival positive with dense greens. Work 9629.

A renaissance portrait of a crow with a signet ring, chiaroscuro. Work 9607.

A nurse in a Pacific field hospital on a rain-black street in the fourth printing, impasto highlights over a thin wash, staple rust marks on a digest. Work 9492.

A train driver's head in two tones and a printer's head in ink black beside a ferry rail in flat blue, the season of the loud palette, rephotographed portrait flattened again. Work 9465.

A movie poster for a monster nobody sees, negative space, small figure. Work 9405.

Dystopian 1960s national monument, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9307.

A bridle hung with small worked discs down a slip face in loose grain, the years the dunes were unmapped, insurance survey photograph, low speed emulsion with fine grain. Work 9305.

A mottled black-headed gull in summer hood with the female behind it, 1755, high vantage over a vast compartment. Work 9259.

The last year of hand setting, a poster pulled off the bed over a mould blade, half plate negative under a skylight, wood letter poster in fugitive inks. Work 9253.

A figure standing on a plate that curves away, rigid one-point framing, the manifest listed a mass and nothing else, release print with dense blacks. Work 9236.

Dead symmetrical group composition of a delegate with a hood moulded to the head at a rope stretched between two posts, the year the floodlights were installed, single-pass print on gloss stock. Work 9220.

The second printing: tabloid strip panel in two inks of a dial face with a single needle against a solid process blue field. Work 9174.

An old paper going soft and grey with the face left uncovered, the second week of a fitting, flash-lit wall at night, colour negative printed on matte paper. Work 9119.

Dystopian 1980s national monument, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9102.

Frontal portrait of a helmeted figure of an attendant screwing a helmet down in the century the shimmer was mapped, carbro print with soft edges. Work 8986.

Value block-in with no detail at all of a dust pooling against a flat face, orthochromatic stock with a white sun, graduated filter on the upper sky. Work 8952.

A rail-worn Australian cattle dog in the Achaemenid years, Polaroid 779, late golden light. Work 8935.

An ochre-banded sou'wester tied under a chin beside a lumper landing fish before dawn, the week of coloured smoke, 70mm jungle sequence still. Work 8929.

Flat screenprinted portrait in loud inks of a bus conductor's face in flat brown and a barber's face in two clashing inks, a sitting nobody was paid for, a fingerprint set into the pink. Work 8910.

A hangar-bound bow cap of riveted panels in the first season of the mast, cyanotype of an engineering plate, gum bichromate in two pulls. Work 8887.

A frosted glass pine-shaded kishi with a hyena face behind its hair, the autumn of 1952, allotment society photograph, ink and wash on antiquarian paper. Work 8809.