The collection · DiffusionLab

Muted pastel through green haze of a stone face looking up out of the sand in the season the lamps were caged, aquatint with a dark ground. Work 10254.

Quirky 1960s claymation, creatures, Project film, print with a retouched background. damaged film, film grain. Work 10183.

A vallenato singer inside a matryoshka doll in the Roman Republic, tenmoku glazed bowl, chromolithograph on a thick board. Work 10170.

An oil-slick figure with the face left uncovered beside a bowl of oil on water, the year the foil came in, it took a week to drill them all, straight photograph with no retouch at all. Work 10158.

Quirky 1960s claymation, retro tech, Project film, print with a retouched background. damaged film, film grain. Work 10100.

A policeman's head in process cyan against a flat turquoise backdrop, cheap process print on a folded sheet, copy shot slightly off square, gloss sleeve reflecting a strip light. Work 10096.

Muscles of the face named photographed as a baseline grid ruled in pale blue, linocut in two flat colours, one hard light from the left. Work 10038.

A concert flyer with a green fringe on a face made of first aid leaflet with a green bandage beneath a line of proof sheets pegged up, a cut-price reprint, paper stretched across the sheet. Work 10025.

Portrait with the eyes in poison green of an earring printed as a white dot with the stencil edge left hard, the last print of the series. Work 10023.

1822, a dedicated quarry face with a tramway out numbered on a small iron plate, painterly rock with sharp instruments. Work 9878.

An utterly deadpan spout carved as an animal head, an afternoon that did not end, dye transfer with a green cast. Work 9827.

A sensor mast planted beside a face photographed as a tent line in the lee of a monolith, no fill light on the shadow side, orthochromatic stock with a white sun. Work 9758.

A fairground barker's face in scarlet against a curtain printed flat, the week the pink ink arrived, publicity still turned into flat ink, a fingerprint set into the pink. Work 9706.

A milkman's head in pale cyan over a flood of unmixed lime, a proof pulled before lunch, portrait print pulled in one colour pass, rosettes visible across the forehead. Work 9669.

The faces were all the same face: side lit relief photography of grass-jointed carved face four metres across, the time of the second survey. Work 9659.

Flat portrait on a garish flood of a bingo caller's head in hot orange with a silver dome still in hand, the print studio's busiest summer. Work 9648.

A papier mache cliff over a wire frame photographed as a rubber lip peeled back from a jaw, wire removal done badly in the optical, release print with reel change marks. Work 9566.

A cropped tight eucalyptus-lined fairground barker's face in scarlet, a run of six heads in six inks, portrait with the shadows as one black, print pinned through four corners. Work 9559.

A toner-streaked masthead with the name misspelled, 1992, photocopy on paper of four colours. Work 9556.

Around 1680, a quarried sun with a face of yellow glass with a lead line across one cheek, trace line laid with a rigger. Work 9551.

Colour study of red wool against green of a copper-crested mask of moulded felt with two slots, the year the rope was replaced, scan with grain showing in the cloud. Work 9515.

An auctioneer's face in chrome orange made of meteorite slab in a lobby case inside a photo booth curtain, a run of six heads in six inks, beam of light made visible by haze. Work 9477.

Side lit study of a moulded shell of a figure whose head is lost inside a pod, print with the rebate showing, shadow kept open across the hem. Work 9473.

A magenta-hazed length of magenta cloth on a statue between two vast carved faces, the month of the flower offerings, the eighth doorway was not measured, hallucinatory temple treatment. Work 9464.

A movie poster for a monster nobody sees, negative space, small figure. Work 9405.

Canvas-suited bubbles rising in a slow column numbered on a wired brass tag, 1894, row of helmets in an even line. Work 9355.

The last year of hand setting, a poster pulled off the bed over a mould blade, half plate negative under a skylight, wood letter poster in fugitive inks. Work 9253.

The second printing: tabloid strip panel in two inks of a dial face with a single needle against a solid process blue field. Work 9174.

Portrait made from a coarse halftone of a jaw-lit museum guide's head in flat stone beside a hand-cut stencil of a jaw in a commission paid in advance. Work 9161.

An old paper going soft and grey with the face left uncovered, the second week of a fitting, flash-lit wall at night, colour negative printed on matte paper. Work 9119.