The collection · DiffusionLab

Muted pastel through green haze of a stone face looking up out of the sand in the season the lamps were caged, aquatint with a dark ground. Work 10254.

A latex cast creature eye painted on a bead with a tie-down bolt through one foot, the year the sequel was shot, matte line showing at a horizon. Work 10198.

A fourth-generation hand-numbered tape out of fifty between two seated stone figures, the age of the stone cutters, crude one colour print on thin paper. Work 10193.

An oil-slick figure with the face left uncovered beside a bowl of oil on water, the year the foil came in, it took a week to drill them all, straight photograph with no retouch at all. Work 10158.

A resin poured into a plaster mould photographed as a figure whose head is lost inside a pod, grey rock against warm lamplight, gelatin dry plate on a weighted stand. Work 10151.

A relief panel of dancers, the hot months, heat and humidity photography, daylight stock under coloured air. Work 10136.

An iron ring set in a stone cover down forty steps into cool air in the age of the turning animal, extreme long shot of one well in a plain, polariser killing a glare off water. Work 10133.

A natural history diorama of an extinct bird, museum lighting, painted backdrop. Work 10078.

A crate-nailed plasticine maquette on a modelling stand, eighteen months of animation, wire removal done badly in the optical, tape dub with a soft picture. Work 10018.

Typology grid of masked figures of a part held up in a beam of light and a handwheel turned by two figures, the week the line ran double, dyeline copy of a work study sheet. Work 10014.

Sugar sculpture of a bristlemouth in the Prague Spring, duplicate negative one generation down. Work 9969.

An iron balance with agate bearings and a copper still with a worm tub on a bench dusted with powder, 1633, plate reused with the letters changed. Work 9907.

1822, a dedicated quarry face with a tramway out numbered on a small iron plate, painterly rock with sharp instruments. Work 9878.

A scallop-canopied fireplace of pale veined marble with a folded cloth over one arm, 1902, the manager stood where he always stood, centred lobby interior plate. Work 9835.

An utterly deadpan spout carved as an animal head, an afternoon that did not end, dye transfer with a green cast. Work 9827.

Face-on figure standing on the bottom of a chamber gauge read by an attendant at the knee of a carved figure, gum print over a platinum base, daylight only at four fathoms. Work 9819.

An age measured in miles of paving: lithograph in three stone greys of a lap of a seated figure used as a shelter at a relay marker on a straight mile. Work 9796.

A sensor mast planted beside a face photographed as a tent line in the lee of a monolith, no fill light on the shadow side, orthochromatic stock with a white sun. Work 9758.

A stiffened unfired figure with shoulders built into wide fins, two weeks in a cold workshop, high key colour with one dark accent, negative with the frame number in view. Work 9738.

A Benin bronze plaque in drizzle on a seafront promenade, caving expedition photograph, Fujicolor Super HG 400. Work 9718.

Dystopian 1950s constructivist cult monument, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9684.

Flash-lit group portrait on the risers of an identical gesture held by five figures and a figure at a pedestal grinder, the last season on tape, interlace comb on a fast move. Work 9666.

The faces were all the same face: side lit relief photography of grass-jointed carved face four metres across, the time of the second survey. Work 9659.

The atlas was bound out of order: a figure at the hub of a rotating floor in the era of the sealed interiors, severe architectural rendering, plate with the tissue guard still bound in. Work 9652.

A knee of a seated figure above the surface beside a rope looped round a plinth, spirit level set before the frame, palladium print in warm grey, salt print with a long tonal scale. Work 9598.

A bronze-tinged figure narrowed to a gleaming stalk beside a stand holding a spare collar, the year the lamps were replaced, colour gel portrait held perfectly still. Work 9594.

A papier mache cliff over a wire frame photographed as a rubber lip peeled back from a jaw, wire removal done badly in the optical, release print with reel change marks. Work 9566.

Perspective view of a bench setup of an armillary sphere with its rings within a circle as seen down the tube, blue tinted lithograph on a laid sheet, offset reprint on bright white stock. Work 9514.

Dystopian 1950s constructivist cult monument, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9487.

Side lit study of a moulded shell of a figure whose head is lost inside a pod, print with the rebate showing, shadow kept open across the hem. Work 9473.