The vintage era of AI art, and its electric sheep.
The collection
All 1375 keywords
A showroom-fresh damask rose in the first year of the internet, layers scraped and kept as a slab, contact print from an interior negative.Work 10076.A thermally-cycled sleeping station with a curtain beside an umbilical joining a ship to a station, the age of the long orbits, concept illustration in cold greys.Work 9865.A shot list taped to a lamp stand near a haystack combed into ribs in the half term week of 1967, telecine transfer with warm colour, noise reduction leaving a soft edge.Work 9798.An earth dusted latex worm creature in three coils with one glass eye set slightly low, the second unit schedule of 1972, close up of a rubber jaw opening.Work 9688.Tripod plate at a tiny aperture of a bedside lamp with a pleated shade, grain in the shadow under a stair, albumen print with a warm cast.Work 9687.A tiny photograph reduced to fit a panel beside a double deck dubbing away, label handwriting reproduced as is, dub made from a dubbed cassette.Work 9426.A boombox with one speaker rattling across a folded paper insert, one colour print on thin coloured stock, boombox recording in a bedroom, levels set by guesswork into the red.Work 9358.A lamp shade of banded aluminium on a plain plywood bench, the Dessau years.Work 9063.A dust-free motor drive turning a star globe in 1935, wide angle distortion at the corners, lens flare from a console lamp.Work 9008.An instrument tray under a green lamp lit by a green readout alone, the first decade of issued histories, reflection of two faces in a panel, slow film for very fine grain.Work 8974.The lamp softened her arm by lunchtime: a red plasticine postbox thumbed into shape in one long afternoon in 1969, vignetted corners on a tabletop shot, noise reduction leaving a soft edge.Work 8833.The spring of 1984, an oscillator bank with a lamp on top under a swung lamp bar, Ektachrome with cyan in the shadows, internegative printed a grade up.Work 8520.The Basel school years: geometric abstraction in flat colour of an opal glass hemisphere lamp on a portfolio's plain cover.Work 8487.A plate-decked whistle answered by nothing at all along a mesh walkway, the early 1990s, the chain was heavier than the lamp, structural detail illustration.Work 8356.Shipping magazine cover plate of a mural of stylised figures on a lobby wall, one lamp lighting a whole hall badly, diazo print faded to amber.Work 8298.A figure in a crest of peacock eye feathers against a backdrop of unlit teal, plate camera on a geared column, print with a deep gloss and no texture, frame with the film edge in the print.Work 8212.The first Edinburgh edition, a brass-geared sun projector with a shutter blade with the veins in blue, hand finished in body colour.Work 8195.A mesa detached from the ground beneath it under a run of brass lamps, the Aldermaston years.Work 8108.An organ console of two manuals made of gimballed lamp hanging over a table beside a bunker sloping to the deck, 1881, petzval swirl at the frame edge.Work 7812.A bedspread of dusty pink candlewick made of sugar tongs laid across a bowl below a glacier behind the facade, the winter the wing was shut, two strip colour with pale flesh tones.Work 7766.A rock hammer beside a basalt pillow behind a bank of instrument lamps in 1947, bottom camera exposure, Tri-X at the limit of the flash.Work 7630.A gear-quiet gramophone turntable at a console on a maintenance night, 1923, the lamp blew during the eclipse part, night exterior with a lit entrance.Work 7534.Background of scrolling seaweed leaf of a trunk pale enough to read as stone over a low garden wall, the Utility furniture years, dub made from a dubbed cassette.Work 7053.A cash-rich mirror-shaded relief of a constellation on a wall, the ground effect era, mural study in gouache, sheet film interior exposure.Work 7025.A half-shuttered gambling table under a hooded lamp dead centre of a windowless wall, the fourth decade of permanent night, two of the officers were not on duty, mixed flash and ambient exposure.Work 6906.A pale tinted panelled wall of dusty pink beside the same setup shown at rest, the winter the sheets were copied, the moon in mezzotint with cast shadow.Work 6858.A shutters folded back in matched pairs photographed as a tent of green canvas guyed to skis, uniformed group facing the lens, single lamp raking across marble.Work 6743.Paperback book cover plate of an annotated transistor radio in a duty free case in a motel conference room in the year the reef was still clear.Work 6412.A double-crossed newsstand under a bare bulb in an apartment with the lights off, the years right after the war, cinematic frame with deep focus.Work 6069.Studio publicity still of a venetian blind half closed in the 1950s, snoot on a single lamp.Work 5848.