The collection

All 1375 keywords
Muscles of the face named photographed as a baseline grid ruled in pale blue, linocut in two flat colours, one hard light from the left. Work 10038.
A figure with three collars stacked upward, portrait with a tape measure left in, it stood up on its own afterwards, daylight balanced stock under soft boxes. Work 9859.
Portrait on newsprint at speed of a press photograph reduced to a stencil, print photographed under a hard lamp, two colours out of register by a hair. Work 9737.
A fairground barker's face in scarlet against a curtain printed flat, the week the pink ink arrived, publicity still turned into flat ink, a fingerprint set into the pink. Work 9706.
A cropped tight eucalyptus-lined fairground barker's face in scarlet, a run of six heads in six inks, portrait with the shadows as one black, print pinned through four corners. Work 9559.
A toner-streaked masthead with the name misspelled, 1992, photocopy on paper of four colours. Work 9556.
Flattened montage of nine band names of a scissor-trimmed typed note apologising for the hiss below a hand-inked cover image in the last dub off the master. Work 9267.
A cameraman's face in flat blue grey inside a gallery of tiled portraits, the black plate went on last and saved it. Work 8686.
A soft-edged suited figure lit only along one edge, the seventh transit, 70mm print with the colour left screaming. Work 8600.
Symmetrical composition around a rim of a face striped with white clay, grain sitting in the green, wide gauge spherical lens. Work 8315.
A grey band along a photocopied edge and a stencil cut from thin cardboard, flattened halftone of a halftone, cut and pasted then shot on the glass. Work 7774.
The mouth was printed a fraction too low: portrait printed in four sour colourways of a screenprinted bingo caller's head in hot orange, the print studio's busiest summer. Work 7698.
Quirky 1960s constructivist, retro tech, Project film, print with a retouched background. damaged film, film grain. Work 7287.
An out of focus teenager who saw it first, 1987, color shift toward magenta. Work 6515.
Memorial portrait of postmodern 80s fashion, ministry-grade, complementary colours. Work 6025.
A movie poster for a film with one location, minimal, bold type block. Work 5586.
A movie poster for a film with no dialogue, minimal, one object. Work 5283.
Memorial portrait of postmodern 80s fashion, ministry-grade, complementary colours. Work 5130.
A dark, 1960s, highly detailed, cinematic composition. Work 4974.
A stone fingerprint record sheet on the head of a pin, Wyspianski stained glass, wide open aperture, through a car wash. Work 4475.
A jury-rigged crystal bureaucrat with a rubber stamp, Rita Angus portrait, declassified, Speed Graphic. Work 4213.
A model well-dressed paper crown, shibori, everyone was younger then, laminated glare. Work 4001.
Memorial portrait of postmodern 80s fashion, concept art, background, volumetric light. Work 3870.
Memorial portrait of postmodern 80s fashion, punk rock, muted colours. Work 3598.
A word with no vowels: a fingerprint record sheet in the age of exploration, beautiful symmetrical face, cinematic composition. Work 3270.
A radio-controlled plane in the style of a wigmaker powdering a periwig, lino green. Work 3238.
A genie lamp and a pixie-led traveller in a video rental shop, phrenology chart. Work 3004.
A winged fire exit green judge's wig, Redoute rose plate, someone kept the ticket, sonar green. Work 2990.
A pearl wig on a stand looking at the camera, art print, realistic highly detailed, rendered by octane engine, esty. Work 2092.
Award winning ad photography for tacos, beautiful symmetrical face, 1970s, cinematic composition. Work 972.