The vintage era of AI art, and its electric sheep.
The collection
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A water carried in from the shore after the brine dried to a film, one blazing afternoon among hundreds.Work 10252.A gravel spit running into a pan four days from either shore, the short season of good crust, 70mm widescreen plate on a white pan, five perf stock pulled one stop.Work 10207.A seafront in a gale shivering on the shingle, the school holidays, David Hurn style photograph, white border with rounded corners.Work 10046.Snails, Muybridge motion study, candy colours, faded teal.Work 9565.Seventy millimetre landscape with one figure of a figure standing where the horizon bends, enlargement made to two metres wide, scan with grain visible in the sky.Work 9466.A fishing harbour at low tide, kodachrome, mud, ropes.Work 9439.Boundaries washed in pink and yellow of a dotted line where the coast is unsurveyed, offset reprint on bright paper, cyanotype of a field sheet.Work 9406.A gulper eel in a shallow enamel tray made of rattail fish nosing at bait among brittle stars, the late 1940s, lantern slide bound with tape.Work 9298.A bone-dry wind print rippling a brine sheet, the short season of good crust, aerial plate looking straight down on salt, tempera on a chalk white panel.Work 9155.A century of carts on one road: a pier of a bridge standing in white water at a relay marker on a straight mile, matte painting of a road across water, oil on canvas with earth pigments.Work 8706.Aquatint of a storm beach and a cigar box guitar, the year the pylons came, Kodak Ektar 25.Work 8548.A rocky islet crowned with pines in the style of a hare running across the waves among flowering plum branches, 1831.Work 8529.A figure with its face weathered to nothing beside a bridge chapel over a pier, shift lens keeping the pylon vertical, print held back in the lit stone.Work 8511.A hull being scraped of weed under a following sea, 1909, linocut of a trawler under way, grey scale with no white in it.Work 8486.A coastline with soundings in fathoms, the last hand coloured issue, wave lines close along the shore, double page spread with the fold worn.Work 8402.A rain squall walking up the channel near a rope ferry crossing, smoke diffusion in front of the lens, daylight stock pushed one stop, bounced light off white canvas.Work 8205.A tide-slowed sponge hook on a short pole, 1888, orthochromatic plate through green water.Work 8113.The Olivetti years: a chapel on a traffic island beside a pier standing in white water, institutional annual plate, steel engraving on plate paper.Work 7857.A blood-speckled launch of a trawler down a slip before the market opens, 1913, marine painting in oils.Work 7597.A pale beach with no mark on it, the Berlin Wall years, gridded print in sour complementaries, gum bichromate in two warm layers.Work 7071.A tide dropping a trawler in a berth under a lighthouse on a pier, orthochromatic plate in sea haze, thin underexposed negative, litho poster in flat greys.Work 6665.Relief carving rendered in flat light of a water lying level on both sides of a road along a band of colour running to a point, colour negative with no correction at all.Work 6658.A view of Enoshima from the sand on the esplanade, 1969, black and white press photograph, interlace comb on movement.Work 6620.An anchor dropped into the sky at Whitley Bay, dodged and burned print, Kodak Instant PR10, flash falloff into black.Work 6257.A pier in low cloud behind a windbreak, 1972, 8mm home movie still, glare off wet sand.Work 6184.A sky full of starlings over a pier, black and white, motion blur.Work 6080.A stoical sand-covered sanatorium terrace above the sea, the school holidays, amateur cine club film frame, sea spray on the lens.Work 5913.1960: found footage still of a kite over the dunes at the water's edge.Work 5852.A stretch of the Shonan coast in August on a wet promenade at dusk, saucy seaside postcard, shot against the light.Work 5727.A buckled deep sea lander just before impact, press conference photo, pan across.Work 5622.